Last updated: August 1, 2007 Go to Home page
Compiled by José Luis Caivano
with the assistance of Paulina Becerra
Collaborators: Juliana Agostinelli, Rodrigo Amuchástegui, Gracia Cutuli,
Mario Echegaray, Julieta Garavaglia, Mabel López, Cristina Manganiello, María
Luisa Musso, Manuel Net, Andrea Pappier, Pablo Valle
PART 1: c.360
B.C. - 1960
AUTHOR [birth-death]. Year of publication of 1st
edition or year of writing. Title. Language (City of publication or
writing, Country: Publisher). Posterior editions. {subject}.
Translations and posterior editions in each language.
PLATO [428-347 BC]. -360 (circa).
Timaios. Greek (Athens, Greece: manuscript). Greek ed., “Timaios”, in Platonis
opera omnia, vol. VII, edited by Gottfried Stallbaum (Gotha-Erfurt, 1838).
Greek ed., “Timaios”, in Platonis opera, vol IV, edited by John Burnet
(Oxford, England: E. Typographeo Clarendoniano, 1905). {natural philosophy}.
English translation by Benjamin Jowett, “Timaeus”, in The Dialogues
of Plato, vol. II (Oxford, 1871), reprinted in MacAdam, ed. 1970. English
translation in Greek-English bilingual ed. by R. D. Archer-Hind, The Timaeus
of Plato (London: MacMillan, 1888). English translation by Francis
Macdonald Cornford, Plato’s Cosmology. The Timaeus (London: Routledge
& Kegan Paul, 1937).
French translation by Thomas-Henri Martin in Greek-French bilingual ed.,
Études sur le Timée de Platon (Paris, 1841). French translation by
Albert Rivaud in Greek-French bilingual ed., Timée-Critias, in Oeuvres
completes, vol. X (Paris: Les Belles Lettres, 1949). French translation by
Luc Brisson and Michel Patillon, Platon. Timée / Critias (Paris:
Flammarion, 1992).
German translation by Otto Apelt, Platons
Dialoge Timaios und Kritias (Leipzig, 1922). German translation by R.
Kapferer and A. Fingerle, Platons Timaios oder Die Schrift über die Natur
(Stuttgart, 1952). German translation by F. Schleiermacher and H. Müller in
Greek-German bilingual ed., Timaios, Kritias, Philebos (Darmstadt: Wiss.
Buchg., 1972).
Italian translation by G. Giarratano, Timeo (Roma and Bari:
Laterza, 1950). New ed. 1982. Italian translation by Giovanni Reale, Timeo
(Milan: Rusconi, 1991).
Latin translation in Greek-Latin bilingual ed., “Timaios”, in Platonis
opera, vol. I, edited by R. B. Hirschig (Paris: Ambrosio Firmin-Didot,
1873-1880).
Spanish translation by Patricio de Azcárate, “Timeo o de la
naturaleza”, in Platón, Apología de Sócrates, Diálogos (Buenos Aires: El
Ateneo, 1949), 645-758. Spanish translation by Francisco de P. Samaranch, Timeo
(Buenos Aires: Aguilar, 1963). 2nd ed. 1966. Spanish translation by Francisco
Lisi, Platón. Diálogos VI. Filebo, Timeo, Critias (Madrid:
Gredos, Biblioteca Clásica, 1992). Spanish translation by Conrado Eggers Lan, Timeo
(Buenos Aires: Colihue, 1999).
ARISTOTLE [384-322 BC]. -350
(circa). Meteorologica (book III). Greek (Athens, Greece: manuscript).
Included in Aristoteles opera, ed. by Bekker (Berlin, 1831-1870).
Critical ed. by F. H. Fobes (Cambridge, Massachussets: Harvard University
Press, 1919). {natural philosophy, astronomy}.
English translation by W. S. Hett in Greek-English bilingual ed.
(Cambridge, Massachusetts: Harvard University Press, 1936).
French translation by J. Tricot, Les météorologiques (Paris:
Vrin, 1941).
Latin translation by J. L. Ideler, in Greek-Latin bilingual ed., Aristotelis
Meteorologicorum (Leipzig, 1834-1836). Latin translation in Greek-Latin
bilingual ed., “Meteorologica”, in Aristotelis opera omnia (Paris:
Ambrosio Firmin-Didot, 1874-1878).
ARISTOTLE [384-322 BC]. -350
(circa). Peri Aistheseos Kai Aistheton. Greek (Athens, Greece:
manuscript). {sensation, perception}.
English translation by G. R. T. Ross (Cambridge, 1906). English
translation by W. S. Hett in Greek-English bilingual ed., “On sense and
sensible objects”, in Aristotle: On the soul, Parva naturalia, On breath
(Cambridge, Massachusetts: Harvard University Press, 1936).
Latin translation, De sensu et sensibilia.
ARISTOTLE [384-322 BC]. -350
(circa). Peri Psukhes (book II). Greek (Athens, Greece: manuscript).
Greek ed. with introduction and commentary in English by W. D. Ross, De
anima (London, 1961). {natural philosophy, metaphysics}.
English translation by W. S. Hett in Greek-English bilingual ed., “On
the soul”, in Aristotle: On the soul, Parva naturalia, On breath
(Cambridge, Massachusetts: Harvard University Press, 1936). English translation
by J. A. Smith, On the soul (Oxford, England: Clarendon Press, 1931).
French translation by J. Tricot, De l’ame (Paris, 1959). French
translation by E. Barbotin in Greek-French bilingual ed., De l’ame
(Paris: Les Belles Lettres, 1966).
Italian translation by P. Eusebietti, Dell’anima (Turin, Italy,
1931).
Latin translation, De anima.
Spanish translation by Alfredo Llanos, De anima (Buenos Aires:
Leviatán, 1983).
ARISTOTELIC SCHOOL [c.322-269
BC]. -322-269 (circa). Peri Khromaton. Greek (Athens, Greece:
manuscript). {natural philosophy}.
English translation by W. S. Hett in Greek-English bilingual ed., “On
colours”, in Aristotle: Minor works (Cambridge, Massachusetts: Harvard
University Press, 1936). New English ed. by Jonathan Barnes, “On colours”, in The
complete works of Aristotle, vol.1 (Princeton, New Jersey, USA: Princeton
University Press, 1984).
Latin translation, De coloribus libellus Aristotelis a Simone Portio
interprete latinitate donatus et commentariis illustratus (Florence, Italy:
Laurentii Torrentini, 1548). Latin translation, “Aristotelis stagiritae de
coloribus a Coelio Calcagnino interprete”, in De urinis, comp. Joannes
Actuarius (Paris, 1548).
THEOPHRASTUS [c.372-c.287 BC].
-322. Historía phuton. Greek (Athens, Greece: manuscript). {botanic}.
Latin translation by Theodoro Gaza, De historia plantarum (1483).
New ed. (Lyon, 1552).
EUCLID [c.300 BC]. -300 (circa).
Optica. Greek (Alexandria, Egypt: manuscript). Edition by J. L. Heiberg, in
Euclidis opera omnia, vol. 7 (Leipzig, Germany: Teubner, 1895).
{optics}.
HERON OF ALEXANDRIA [c.200 AC].
200 (circa). Dioptra. Greek (Alexandria, Egypt: manuscript). Edition by
H. Schöne, in Heronis Alexandrini opera, vol. 3 (Leipzig, Germany:
Teubner, 1903).
ANONYMOUS. 400 (circa).
Papyrus leydensis (Thebes: manuscript). Included in R. Halleux, Les
alchimistes grecs. Vol. 1, Papyrus de Leyde, Papyrus de
Stockholm, Fragments de Recettes (Paris: Les Belles Lettres, 1981).
ANONYMOUS. 780 (circa).
Compositiones ad tingenda musiva, pelles et alia, ad deaurandum ferrum, ad
mineralia, crysographiam, ad glutina quaedam conficienda, aliaque artium
documenta. Latin (Luca, Italy: manuscript). Published in Antiquitates
Italicae Medii Aevi, vol. 2, by Ludovico Antonio Muratori (Milan,
1738-1743).
HERACLIUS, Fl. 1000 (circa).
De coloribus et artibus romanorum, book 2 [according to Codice 145, Public
Library of Valenciennes]. Latin (manuscript). Edited and published by A. Giry
(Paris, 1873). New Latin ed. reprint in Original treatises, edited by
Mary P. Merrifield (1849).
German translation by Albert Ilg, Von den
Farben und Künsten der Römer, Latin-German bilingual edition (Vienna,
1873).
ALHAZEN (Abu-‘Ali Al-Hasan ibn
al-Haytham) [c.965-1039]. 1025 (circa). [Treasury of optics]. {optics}.
THEOPHILUS (Roger of
Helmarshausen) [c.1070-1125]. 1120 (circa). Schedula diversarum artium, or
De diversis artibus. Latin (Germany: manuscript). Edition by Albert Ilg, Theophilus
presbyter Schedula diversarum artium (Vienna, 1874). {arts, painting}.
English translation by R. Hendrie (London, 1847). English translation, Of
many arts, 1961. English translation by C. R. Dodwell, The various arts
(Oxford: Clarendon Press, 1986).
French translation, Essay sur divers arts, including the chapter
(pp. 11-73) “La peinture, les couleurs et les matériaux” (1843).
GROSSETESTE, Robert [c.1175-1253]. 1230
(circa). De colore. Latin (England: manuscript). First published
in Beiträge zur Geschichte der Philosophie des Mittelalters, vol. IX
(Münster, Germany: Freie Kunstschule, 1912). {natural philosophy}.
GROSSETESTE, Robert
[c.1175-1253]. 1230 (circa). De iride seu de iride et speculo. Latin
(England: manuscript). First published in Beiträge zur Geschichte der
Philosophie des Mittelalters, vol. IX (Münster, Germany: Freie Kunstschule,
1912). {natural
philosophy, optics}.
ANGLICUS, Bartholomaeus [c.1200].
1245 (circa). De proprietatibus rerum [including “De coloribus”, chapter
19]. Latin (Magdeburg, Germany: manuscript). {natural philosophy,
optics}.
English translation by Trevisa, and 1st printing, 1495.
THEODORIC OF FREIBURG. 1304
(circa). De iride. Latin. {optics}.
ANONYMOUS. 1350
(circa). De arte illuminandi. Latin (Venice, Italy: manuscript). Edited by Franco
Brunello (Venice, 1975). {painting, graphic arts}.
SAINT-OMER, Pietro of (Brother
Mauro). 1350 (circa). Liber magistri Petri de Sancto Audemaro de coloribus
faciendis. Latin (manuscript). New Latin ed. in Original treatises,
edited by Mary P. Merrifield (1849).
ALCHERIUS. 1398-1411 (inter). De
coloribus diversis modis tractatur... Ad tingendam rosam. Latin (manuscript).
COURTOIS, Jehan (Herald of
Sicily). 1430 (circa). Trattato dei colori nelle arme, nelle livre e nelle
divise. Italian (Naples, Italy: manuscript). New ed. (Pavia,
Italy: A. Viani, 1593). {heraldry}.
French translation, Le blason des couleurs en armes, livres et
divises (H. Cocheris, 1860).
ALBERTI, Leon Battista [1404-1472].
1435. De pictura. Latin (Florence, Italy: manuscript). Printed version
(Basel, Switzerland: Thomas Venatorium, 1540). Printed version (Leiden, The
Netherlands: Elzevir, 1649). {arts, painting}.
English translation, “Of painting”, in The architecture of Leon
Battista Alberti, ed. Giacomo Leoni (London, 1726). New ed. 1739. New ed.
(London: Edward Owen, 1755). English translation by John R. Spencer, On
painting (New Haven, Connecticut: Yale University Press, 1956).
French translation (from the Bartoli Italian translation of 1568) by DuFresne
(Paris, 1651). New ed. (Naples: Rispoli, 1733). New eds. (Bologna, 1782, 1786).
French translation by Popelin (Paris, 1868).
German translation, in German-Italian bilingual ed. by Janitschek, part
of Quellenschriften für Kunstgeschichte series (Vienna, 1877).
Re-edition by Papini (Lanciano, Italy, 1913).
Italian translation by Leon Battista Alberti, Della pittura
(Florence, 1436). Italian translation by Lodovico Domenichi (Venice, 1547). New
ed. by Bartoli (Monte Regale, 1565). New ed. (Florence, 1568). Italian
translation by Cosimo Bartoli, in Opere morali di Leon Battista Alberti
(Venice, 1568). New ed. (Bologna, 1782). New eds. (Milan 1803, 1804). Italian ed.
by Bonucci (Florence, 1847). Italian critical edition by Luigi Mallé (Florence:
G. C. Sansoni, 1950).
Spanish translation by Diego Antonio Rejon de Silva (Madrid, 1784). New
ed. 1827. Spanish translation, Sobre la pintura (Valencia: Fernando Torres
Ed., 1976).
CENNINI, Cennino [c.1370-c.1440].
1437. Il libro dell’arte o trattato della pittura. Italian (Florency,
Italy: manuscript). First edition with notes by Giuseppe Tambroni (Rome, 1821).
New ed. by C. Milanesi and G. Milanesi, Trattato della pittura di Cennino
Cennini (Florence, Italy: Le Monnier, 1859). New ed. by Franco Brunello, Il
libro dell’arte (Vicenza, Italy: Neri Pozza, 1971). {arts, painting}.
English translation by Mary P. Merrifeld, A treatise on painting
(London, 1844). English translation by Christiana J. Herringham, The book of
art of Cennino Cennini (London, 1899). English translation by Daniel Varney
Thompson, The craftsman’s handbook (New York: Dover, 1954). New ed.
1960.
Spanish translation, Tratado de la pintura [El libro del arte]
(Sucesores de E. Meseguer, 1979). New ed., El libro del arte (Madrid:
Akal, 1988).
LEONARDO DA VINCI [1452-1519]. 1489-1518 (inter).
[Notebooks]. Italian (Florence, Milan, and Rome, Italy; and Cloux, France:
manuscript). Compilation and edition of the manuscripts by Jean Paul Richter, The
literary works of Leonardo da Vinci. Italian-English bilingual ed. with
English translation by R. C. Bell (London: Sampson Low, Marston & Co., 1883). New ed. reproducing the
1883 ed., The notebooks of Leonardo da Vinci (New York: Dover, 1970).
English translation by Edward MacCurdy, The notebooks of Leonardo da
Vinci (New York: Reynal & Hitchcock, 1939).
LEONARDO DA VINCI [1452-1519].
1489-1518 (inter). Trattata della pittura. Italian (Florence, Milan, and
Rome, Italy; and Cloux, France: manuscript). First published in a selection
made by Raphael Trichet Dufresne (Paris, 1651). New ed. based on the Codice
Vaticano Urbinate 1720 (Rome: Unione Cooperative Editrice, 1890). {arts,
painting}.
English translation, A treatise on painting (London: G. Bell
& Sons, 1877). English translation by Philip McMahon, Treatise on painting
(Princeton, New Jersey: Princeton University Press, 1956). English translation
by Martin Kemp and Margaret Walker (London: Yale University Press). English
translation by John Francis Rigaud, The art of painting (New York:
Philosophical Library, 1957).
German translation by Heinrich Ludwig, Das
Buch der Malerei (Vienna, Austria: Wilhelm Braumüller, 1882). New ed.
(Osnabrück, Germany: Otto Zeller, 1970).
Spanish translation by Mario Pittaluga, Tratado de la pintura
(Buenos Aires: Losada, 1943). 2nd ed. 1944. New ed. (Mexico: Espasa Calpe, 1947).
Spanish translation, Tratado de la pintura (Murcia, Spain: Colegio de
Aparejadores y Arquitectos de Murcia, 1980). Spanish translation by Rafael
Galvano, Tratado de la pintura (Buenos Aires: NEED, 1999).
EQUICOLA, Mario [1470-1525]. 1525.
Libro de natura de amore. Italian (Venice, Italy).
TELESIO, Antonio [1482-1533]. 1528. De iride et
coloribus. Latin (Venice, Italy: Opera). New ed. (Paris, 1548). {natural
philosophy, optics, terminology}.
English translation by Don Pavey, On colours, accompanied by the
Latin text, with introduction, annotations and indexes by Roy Osborne (London:
Color Academy, Micro Academy, 2002).
MORATO, Fulvio Pellegrino
[c.1495-1548]. 1535. Del significato dei colori e dei mazzolli. Italian (Venice,
Italy). New ed. 1564.
SCALIGER, Julius Caesar [1484-1558]. 1537. Exotericarum
exercitationum de subtilitate ad H. Cardanum [the thoughts on color appear
in the 325th exercise, 20 pages]. Latin (Paris, France). {natural philosophy}.
ROSETTI, Giovanventura. 1540.
Plichto de l’arte de tentori che insegna a tenger pani telle banbasi et sede si
per larthe mahiore come per la comune. Italian (Venice, Italy). {dyeing}.
PARACELSUS (Theophrastus Philipus
Aureolus Bombastus von Hohenheim) [1493-1541]. 1541 (before). De tinctura
physicorum. Latin (Germany). {dyeing}.
PINO, Paolo. 1548. Dialogo di
pittura. Italian (Venice, Italy). New ed. by C. Camesasca (Milan: Rizzoli,
1954). {arts, painting}.
MAUROLYCUS, Franciscus
[1494-1575]. 1521-1555 (inter). Photismi de lumine et umbra ad perspectivam,
et radiorum incidentiam facientes [1st part]. Diaphanorum, seu
trsparentium partes, seu libri tres [2nd part]. Latin (Messina,
Italy: manuscript). First published (Naples: Tarquino Longo, 1611). {optics}.
French translation, De lumiere et umbre (Lyon, 1613).
Italian translation in Latin-Italian bilingual ed., “Fotismi sul lume e
sull’ombra riguardo alla prospettiva e all’andamento dei raggi”, and “Dei corpi
trasparenti”, in Scritti di ottica, ed. by Vasco Ronchi (Milan: Edizioni
Il Polifilo, 1968), 69-131.
DOLCE, M. Ludovico [1508-1568]. 1565.
Dialogo di M. Ludovico Dolce, nel quale si ragiona della qualità, diversità e
proprietà dei colori. Italian (Venice, Italy: G. B. and M. Sessa, fratelli).
{arts, painting}.
CORONATO OCCOLTI, M. 1568. Trattato dei
colori. Italian (Parma, Italy: Viotto).
TELESIO, Franciscus Patritius
Bernardino [1509-1588]. 1570. De colorum generatione opusculum. Latin (Naples, Italy:
Iosephum Cacchiun).
FREISCHER, J. 1571. De iridibus
doctrina Aristotelis et Vitellionis. Latin (Vitembergae).
CARDANO, Gerolamo [1501-1576].
1576 (before). De geminis et coloribus. Latin (Italy:
manuscript). First published in Opera omnia, 10 vols., vol. II, chapter
X, “De geminis et coloribus” (Lyon, France, 1663). {natural philosophy}.
LOMAZZO, Giovanni Paolo
[1538-1600]. 1584. Trattato dell’arte della pittura, scultura ed
architettura. Italian (Rome, Italy: Presso Savario del Monte). {painting, sculpture,
architecture}.
English translation by John Donohue, Treatise on the arts of
painting, sculpture and architecture, including the section “Symbolism of
the principal colors”, 1844.
BOLTZ, Valentinus. 1589.
Illuminirbuch, Künstlich alle Farben zu machen und bereyten. German
(Frankfurt, Germany). {painting, graphic arts}.
LOMAZZO, Giovanni Paolo [1538-1600].
1590. Idea del tempio della pittura. Italian (Italy). {arts,
painting}.
RINALDI, Giovanni de. 1599. Il
mostruosissimo mostro di G. de R. Nel primo de’quali si ragiona del significato
de’colori, Nel secondo si tratta dell’herbe e fiori. Italian (Venice,
Italy).
SCARMILIONIUS, V. A. 1601. De
coloribus. Latin (Marburg, Germany). {natural philosophy, color-music}.
SAVOT, Louis. 1609. Nova, seu
verius nova antiqua de causis colorum sententia. Latin (Paris, France).
DOMINIS, M. Antonius. 1611. De
radiis visus et lucis in vitris perspectivis et iride. Latin (Venice,
Italy).
FORSIUS, Sigfrid Aron
[1550-1624]. 1611. Physica. Swedish (Uppsala, Sweden: manuscript in the
Royal Library, Stockholm). Transcription by Johan Nordström, in Acta
Universitatis Uppsaliensis 10, 1952. Also published in Acta Bibliothecae
Stockholmiensis, 1971. {physics}.
AGUILONIUS, Franciscus
[1567-1617]. 1613. Opticorum libri sex. Latin (Antwerp, Belgium:
Plantin). {optics}.
FLUDD, Robert [1574-1637]. 1629-1631.
Medicina catholica, 2 vols. Latin (Frankfurt, Germany: C. Rötelli). {order
systems, medicine}.
DESCARTES, René [1596-1650].
1637. Discours de la methode pour bien conduire la raison, & chercher la
verité dans les sciences. Plus La dioptrique. Les meteores. Et La
geometrie. French (Leiden, The Netherlands: Imprimerie de Ian Maire).
{philosophy, optics}.
Latin translation by Étienne de Courcelles, revised by the author, Dissertatio
de methodo. Recte regendae rationis, & veritatis in scientiis
investigandae: Dioptrice, et Meteora (Amsterdam: Ludovicum Elzevirium,
1644). New French-Latin ed., Discours de la méthode & essais, vol. 6
of Oeuvres de Descartes, edited by Charles Adam and Paul Tannery (Paris:
Leopold Cerf, 1902).
Spanish translation, Discurso del método, dióptrica, meteoros
y geometría. Discurso octavo, Los meteoros (Madrid: Alfaguara, 1981).
JUNIUS, F. 1638. De pictura
veterum. Latin. {painting, history}.
KIRCHER, Athanasius [1602-1680].
1646. Ars magna lucis et umbrae. Latin (Rome, Italy). New ed. (Amsterdam:
Jansson & Waesberge, 1671). {natural philosophy}.
MARCI, Joannes Marcus [1595-1667].
1648. Thaumantias, liber de arcu coelesti, deque colorum apparentium natura
ortu et causs. Latin (Prague, Czech Republic: Jiri Marek). New ed. (Prague
Pragopress, 1968).
CUREAU DE LA CHAMBRE, Marin. 1650. Nouvelles
observations et conjectures sur l’iris. French (Paris, France). {harmony,
color-music}.
SCHOTT, Caspar [1608-1666].
1657-1659 (inter). Magia universalis naturae et artis, sive recondita
naturalium et artificialium rerum scientia, 4 vols. Vol. 1, Optics.
Vol. 2, Acoustics. Vol. 3, Mathematics. Vol. 4, Physics.
Latin. {physics, optics}.
GRIMALDI, Francesco Maria [1618-1663].
1663
(before). Physico-mathesis de lumine, coloribus et iride. Latin
(Bologna, Italy: manuscript). First ed. Bologna, Italy, 1665. {physics,
optics}.
Italian translation in Latin-Italian bilingual ed., “Del lume”, in Scritti
di ottica, ed. by Vasco Ronchi (Milan: Edizioni Il Polifilo, 1968),
453-501.
BOYLE, Robert [1626-1691]. 1664.
Experiments and considerations touching colours. English (London, England:
Henry Herringman). 2nd ed., 1670. Also included in The works of the
honourable Robert Boyle, edited by Thomas Birch (London, 1744). Facsimilar
reprint, with introduction by Marie Boas Hall (New York, USA: Johnson Reprint
Corporation, 1964). {natural philosophy, optics, chemistry}.
Latin ed. (London, 1665). New ed. (Amsterdam, 1667). New ed. (Rotterdam,
1671). New ed. (Geneva, 1676).
SCHOTT, Caspar [1608-1666]. 1664.
Technica curiosa sive mirabilis artis, 2 vols. Latin (Nuremberg, Germany).
FÉLIBIEN, André [1619-1695].
1666-1685 (inter). Entretiens sur les vies et sur les
ouvrages des plus excellens peintres anciens et modernes, 6
vols. French
(Paris, France). 2nd ed., 2 vols. (Paris, 1685-1688). 3rd ed., 4 vols. (London,
1705). 4th ed. (Amsterdam, 1706). {arts, painting, biography}.
PETTY, William [1623-1687]. 1667.
An apparatus to the history of the common practices of dyeing, edited by T.
Sprat. English (London, England: The Royal Society, History of the Royal
Society of London). {dyeing, history}.
COLBERT, Jean-Baptiste
[1619-1683]. 1671. Instruction générale pour la teinture des laines et
manufactures de la laine de toutes couleurs, et pour la culture des drogues ou
ingrédiens qu’on y employe. French (Paris, France: Muguey). {dyeing}.
BOUTET, Claude. 1673.
École de la mignature. 2nd ed., Traité de mignature, pour apprendre aisément à
peindre sans maistre. Et le secret de faire les plus belles couleurs, l’or
bruny, & l’or en coquille (1674). French (Paris, France: Christophe
Ballard). New ed., Traité de la peinture en mignature... auquel on a ajouté un
petit traité de la peinture au pastel, avec la méthode de composer les pastels
(The Hague: Louis and Henry van Dole, 1708). New ed. by Roger de Piles
(Brussels: Moris, Jean, 1759). {painting}.
Dutch translation, Verhandeling van de schilderkunst in miniatuur
(Utrecht: Lobedanius, 1744). New ed. translated by P. J. Verly (Amsterdam: Gerrit de
Groot, 1759).
FÉLIBIEN, André [1619-1695].
1676. Des principes de l’architecture, de la
sculpture, de la peinture, et des autres arts qui en dependent. Avec un dictionnaire des
termes propres à chacun de ces arts.
French (Paris, France: Jean-Baptiste Coignard). New eds. 1690, 1699.
{architecture, plastic arts, sculpture, painting}.
BRENNER, Elias [1647-1717]. 1680.
Nomenclatura et species colorum. Latin (Stockholm, Sweden). {order
systems}.
ROMANO, G. B. 1680 (circa). De luce
et coloribus & De coloribus. Latin (manuscript).
MARIOTTE, Edme [1620-1684]. 1681.
Essai de la nature des couleurs. French (Paris, France).
PIAZZA, Bartolomeo. 1682. L’iride
sagra spiegata nei colori degli abiti ecclesiastici. Italian (Rome, Italy).
ANONYMOUS. 1683. Ars tinctoria
fundamentalis. Latin (Frankfurt, Germany). {dyeing}.
ZAHN, Johannes [1641-1701]. 1685.
Oculis artificialis teledioptricus sive telescopium. Latin
(Würzburg, Germany: Heil). 2nd ed. (Nuremberg: Lochner,
1702). {optics, order systems}.
HUYGENS, Christiaan [1629-1695]. 1690. Traité
de la lumière. French (Leiden, The Netherlands). {optics}.
English translation by S. P. Thomson, Treatise on light (Chicago:
The University of Chicago Press, 1945).
POMET, Pierre. 1694. Histoire
générale des drogues. French (Paris, France).
PILES, Roger de. 1699. Dialogue sur
le coloris. French (Paris, France: Nicolas Langlois).
NERI, A. [1662-?]. 1700 (circa).
[Italian title not available]. Italian.
English translation by C. Merret, The art of glass (London).
ELAUM, John. 1704. The art of
painting after the italian manner, with practical observations on the principal
colours, and directions how to know a good picture. English (London,
England: D. Brown, C. King). {painting}.
NEWTON, Isaac [1642-1727]. 1704.
Opticks: or, a treatise of the reflections, refractions, inflections and
colours of light. English (London, England). 2nd ed. 1717-1718. 3rd ed.
1721. 4th ed. 1730. New ed. (London: Innys, 1790). New ed. (New York:
McGraw-Hill, 1931). English re-edition, based on the 4th edition (New York:
Dover, 1952). {optics}.
Latin ed. 1706. New Latin ed., Optices libri tres, accedunt eiusdem
Lectiones opticae et opuscula omnia ad lucem et colores pertinentia (Padua,
1749).
Portuguese translation by André Koch Torres Assis, Óptica (Sao
Paulo, Brazil: Edusp, 1996).
Spanish translation by Carlos Solís, Óptica o tratado de las
reflexiones, refracciones, inflexiones y colores de la luz (Madrid:
Alfaguara, 1977).
TALLIER, Gallipido. 1704. Nuovo
pico d’ogni sorte di tinture, arricchito di vari e bellissimi segreti per
colorire animali, vegetali e minerali. Italian (Venice, Italy). {dyeing}.
PILES, Roger de. 1708. Cours de
peinture par principes. French.
MARSILLI, Luigi Ferdinando. 1711.
Annotazioni intorno alla grana de’ tintori detta kermes. Italian (Venice,
Italy). {colorants}.
FUNCCIUS, Johann Caspar [16??-17??].
1716. Liber de coloribus coeli. Latin (Ulm, Germany). {natural
philosophy}.
LE BLON, Jacob Christoph
[1667-1741]. 1725. Coloritto; or the harmony of colouring in painting,
reduced to mechanical practice under easy percepts, and infallible rules.
English (London, England). {harmony, painting}.
RIZZETTI, Giovanni. 1727. De
luminis affectionibus. Specimen phisico-mathematicum. Latin
(Bergamo, Italy).
BOUGUER, Pierre [1698-1758]. 1729.
Essai d’optique sur la gradation de la lumière. French (Paris, France). {optics}.
RÜCHER, M. De. 1729. Histoire
naturelle de la cochenille pietrifiée par des documents authentiques. French (Amsterdam, The
Netherlands).
MORTIMER, C. 1731. An account
of... Le Blon’s principles of printing. English (London, England).
{printing industry, graphic arts}.
HARDING, S. 1733. The school
of miniature, erected for the instruction of the ignorant, the improvement of
proficients, and the general information of such as are pleased with pictures
in small. English (London, England: S. Harding). {painting, graphic arts}.
ALGAROTTI, Francesco [1712-1764].
1737. Il newtonianismo o vero dialoghi sopra la luce, i colori e la
attrazione. Italian (Naples, Italy: Giambatista Pasquali). New ed. 1746. New
ed., Dialoghi sopra l’ottica newtoniana (Naples, Italy, 1832). {optics}.
HOOFNAIL, J. 1738. New
practical improvements and observations on some of the experiments and
considerations touching colours. English (London, England).
CASTEL, Louis Bertrand. 1740. L’optique
des couleurs, fondée sur les simples observations, et tournée surtout à la
pratique de la peinture, de la teinture et des autres arts coloristes. French (Paris, France:
Briasson). {optics}.
German translation, Farben-Optick (Halle, 1747).
HELLOT, Jean [1685-1766]. 1750.
L’art de la teinture des laines et des étoffes de laine en grand et petit teint
avec une instruction sur les debrouillis. French (Paris, France: La Veuve
Pissot). {dyeing}.
English translation, The art of dyeing wool, silk and cotton
(London, 1901).
HOLBACH, P. H. T. 1752. [The art of stained
glass windows] [German title not available]. German (Paris, France).
{crafts}.
French translation by M. D. Paris, Art de la verrerie, de Henri,
Merret et Kuckel, auquel on a ajouté le sol sine veste d’Orschall,
l’Helioscopium videndi sine veste solem chymicum, le sol non sine veste, le chapitre XI
du Flora saturnizans de Henckel. Un mémoire sur la manière de faire le
saffre (Paris: 1752).
DE PILE, Robert. 1755. Recueil de
divers ouvrages sur la peinture et le coloris. French (Paris, France).
{painting}.
HOME, F. 1756. Experiments on
bleaching. English (Edinburgh, Scotland).
BOUGUER, Pierre [1698-1758]. 1758
(before). Traité d’optique sur la gradation de la lumière. French (Paris, France:
manuscript). Posthumous edition arranged by Nicolas Louis de la Caille (Paris:
H. L. Guerin & L. F. Delatour, 1760). Reprint (Paris: Gauthier-Villars,
1921). {optics}.
English translation by W. E. Knowles Middleton, Pierre Bouguer’s
optical treatise on the gradation of light (Toronto: University of Toronto
Press, 1961).
Russian translation by N. A. Tolstoi and P. P. Feofilov, Opticheskii
tractat o gradatsii sveta, with a commentary by A. A. Gershun (Moscow: USSR
Academy of Sciences Publishing House, 1950).
MAYER, Tobias [1723-1762]. 1758.
De affinitate colorum commentatio. Latin (Göttingen, Germany: manuscript).
Published posthumously in Opera inedita Tobiae Mayeri, ed. Georg
Christoph Lichtenberg, vol. I (Göttingen, Germany: Dieterich, 1775). {order systems}.
English translation by Adriana Fiorentini, “On the relationships between
colors”, with comments by Barry B. Lee, Color Research and Application
25 (1), 2000, 66-74.
LAMBERT, Johann Heinrich [1728-1777]. 1760.
Photometria, sive de mensura et gradibus luminis, colorum et umbrae. Latin
(Augsburg, Germany: Eberhard Klett). {optics, photometry}.
German translation by E. Anding, Lamberts photometrie (Leipzig:
Wilhelm Englemann, 1892).
DOSSIE, Robert. 1764. The
handmaid to the arts. A perfect knowledge of the materia pictorica; or the
nature, use, preparation and composition of all the various substances employed
in painting, 2nd ed. English (London, England: J. Nourse). {paints}.
D’ARCLAIS DE MONTAMY, Didier F.
1765 (before). Traité des couleurs pour la peinture en émail
et pour la porcelaine; précédé de L’art de peindre sur l’émail. French (Paris, France:
manuscript). Posthumous edition (Paris: Libraire G. Cavelier, 1765).
{painting}.
MESMER, Franz Anton [1734-1815]. 1766.
De planetarum influxu. French (Paris, France).
HARRIS, Moses [1731-1785]. 1770
(circa). The natural system of colours, wherein is displayed the regular and
beautiful order and arrangement, arising from the three primitives, red, blue,
and yellow, the manner in which each colour is formed, and its composition ...
English (London, England: Laidler). New ed. with additions by Thomas Martyn
(London: Harrison and Leigh, 1811). Facsimilar reprint by Faber Birren (New
York: Van Nostrand Reinhold, 1963). {natural philosophy, order systems}.
LAMBERT, Johann Heinrich [1728-1777].
1772. Beschreibung einer mit dem Calauschen Wachse ausgemalten
Farbenpyramide. German (Berlin, Germany: Hande und Spener). {order
systems}.
PRIESTLEY, Joseph [1733-1804]. 1772. The history
and present state of discoveries relating to vision, light and colours, 2
vols. English (London, England: Johnson). {optics,
vision}.
SCHIFFERMÜLLER, Ignaz [1727-1809].
1772. Versuch eines Farbensystems. German (Vienna, Austria: Agustin
Bernardi). {order systems}.
WATIN, Jean-Felix. 1773. L’art du
peintre, doreur et vernisseur... pour la fabrication et l’application des
couleurs. French (Paris, France: Librairie Grangé). 10th ed. 1828.
{painting}.
DELAVAL, Edward Hussey. 1777.
An experimental inquiry into the cause of the changes of colours in opake and
coloured bodies. With an historical preface, 4th ed. English (London,
England: J. Nourse).
French translation by D. B. Quatremére Dijonval, Recherches
expérimentales sur la cause des changements de couleurs (Paris, 1778). New
ed. 1797.
PALMER, George [1740-1795]. 1777.
Theory of colours and vision. English (London, England: S. Leacroft).
{optics, vision}.
PALMER, George [1740-1795]. 1777.
Theory of light. English (London, England: S. Leacroft). {optics}.
PILEUR D’APLIGNY, Placide-Auguste le.
1779. Traité des coleurs matérielles, et de la maniére de colorer,
relativement aux différens arts & métiers. French (Paris, France: Saugrain
& Lami). Reedited (Ginebra, 1973).
AMATI, Pasquale. 1784. De
restitutione purpurarum. Latin (Cesena, Italy).
MARAT, Jean-Paul [1743-1793].
1784. Notions élémentaires d’optique. French (Paris, France). {optics}.
DAMBOURNEY, L. A. 1786. Recueil des
procédés et d’expériences sur les teintures solides que nos végétaux indigénes
communiquent aux laines & aux lainages. French (Paris, France). A
supplement was published in 1788. {dyeing}.
ROSA, Michele. 1786.
Dissertazione della porpora e della materia vestiaria presso gli antichi.
Italian (Modena, Italy). {dyeing, textiles}.
CARVALHO E SAMPAYO, Diogo de [1750-?].
1787. Tratado das cores. Portuguese (Malta). {natural philosophy}.
WILLIAMS, W. 1787. An essay on
the mechanical oil colours. English (Bath, England).
CARVALHO E SAMPAYO, Diogo de [1750-?].
1788. Dissertação sobre as cores primitivas com um breve tratado da
composição artificial das cores. Portuguese (Lisbon, Portugal: Regia
Officina Typografica). {natural philosophy}.
DE CHAPERON, P.-R. 1788. Traité de
la peinture au pastel. French (Paris, France: Defer de Maisoneuve). {painting}.
PFANNENSCHMIDT, A. L. 1788 (before).
[German
title not available]. German.
French translation, ed. by Ernest Rodolphe Schulz, Essai sur la
manière de mélanger et composer toutes les couleurs au moyen du bleu, du jaune
et du rouge, & d’après le triangle anexé à cet ouvrage (Lausanne,
Switzerland: J. Mourer, 1788). 2nd ed. 1792.
BERTHOLLET, C. L. 1791. Eléments de
l’art de la teinture. French (Paris, France: Firmin Didot). {dyeing}.
CARVALHO E SAMPAYO, Diogo de [1750-?].
1791. Memória sobre a formação natural das cores. Portuguese (Madrid,
Spain). {natural
philosophy}.
GUIDOTTI, A. 1791. Metodo
facile per formare qualisiasi sorte di vernice della Cina... Oltre a che
innumerevoli, et utilissimi secreti. Italian (Venice, Italy).
HENNEMAN, Richard Hubard. 1791.
A photometric study of the perception of object color. English (New York,
USA: Archives of Psychology).
POERNER. 1791 (before).
[German title not available]. German. {dyeing}.
French translation by M. C., revised and enlarged by M. M. Desmarets
& C. L. Berthollet, Instruction sur l’art de la teinture et
particulièrement sur la teinture des laines (Paris, 1791).
GOETHE, Johann Wolfgang von
[1749-1832]. 1791-1792. Beiträge zur Optik, part 1 and part 2. German (Weimar,
Germany). {optics}.
REYNOLDS, Sir Joshua [1723-1792].
1792 (before). Discourses, posthumous edition. English (London,
England). New ed. by E. G. Johnson (Chicago: Clurg & Co., 1891). New ed. by
Stephen O. Mitchell, Discourses on art (Indianapolis: Bobbs-Merrill,
1965). {arts, painting}.
WÜNSCH, Christian Ernst. 1792.
Versuch und Beobachtungen über die Farben des Lichts. German (Leipzig,
Germany: Breitkopf).
TALIER, Angelo Natale. 1793.
Dell’arte di tingere, opera ricavata dai piú celebri recenti autori inglesi e
francesi. Italian (Venice, Italy). {dyeing}.
BANCROFT, Edward. 1794.
Experimental researches concerning the philosophy of permanent colours; and the
best means of producing them, by dyeing, calico-printing, etc., 2 vols.
English (London, England: T. Cadell and W. Davies). New ed. 1813. New ed.
(Philadelphia, Pennsylvania, 1814). {dyeing}.
BURANO, Gioachino, and Giovanni
BARICH. 1794. Trattato sopra l’arte della tintura. Italian (Venice, Italy).
{dyeing}.
BARDWELL, Thomas. 1795.
Practical treatise on painting in oil colours. English (London, England: B.
and J. White). {painting}.
BARATTIERI, Carlo [c.1738-c.1803]. 1799. Compendio
della nuova teoria de’ colori. Italian (Piacenza, Italy: G.
Tedeschi).
VENTURI, G. B. 1800. Indagine
fisica sui colori. Italian (Modena, Italy). 2nd ed. 1801. {optics}.
DUBURGUA, A. P. Justin. 1803. Le
newtonianisme de l’amitié, ou Lettres philosophiques sur la lumière et les
couleurs. French (Paris, France: P. A. Allut). {optics}.
RUMFORD, T. B. 1804. Recherche
sur la couleur. French (Paris, France).
TINGRY, Pierre François [1743-1821]. 1804. The painter
and varnisher’s guide, or A treatise, both in theory and practice, on the art
of making and applying varnishes, on the different kinds of painting, and on
the method of preparing colours both simple and compared. English (London,
England: G. Kearlon). {painting}.
GARTSIDE, M. 1805. An essay on
light and shade on colours and on composition in general. English (London,
England: The author).
SCHREGER, C. H. T. 1805.
Tabellarische Uebersicht der rohen und Künstlich zubereiteten Farben and
Farbenmaterialen. German (Nuremberg, Germany).
BEMISS, E. 1806. The dyer’s
companion. English (New London, Connecticut, USA). {dyeing}.
CHAPTAL, Jean Antoine [1756-1832].
1807. L’art de la teinture du coton en rouge. French (Paris, France). {dyeing}.
YOUNG, Thomas [1773-1829]. 1807. Lectures
on natural philosophy and the mechanical arts, 2 vols. English (London,
England). Reprinted in 4 vols., with an introduction by Nicholas Wade [the
papers on physiological optics are in vol. 4] (Bristol, England: Thoemmes
Continuum, 2002). {natural philosophy, physics, physiology, vision}.
French edition of the papers on physiological optics, Oeuvres
ophtalmologiques (Copenhagen, Denmark, 1894). New ed. by M. Tscherning,
1904.
GOETHE, Johann Wolfgang von [1749-1832].
1808-1810. Zur Farbenlehre, 2 vols. German (Tübingen, Germany:
Cotta). New ed. 1910. New ed. (Munich: DT, 1963). New ed. (Munich, 1971). New
ed. (Stuttgart, Freies Geistesleben, 1979). New ed. by Rupprecht Matthaei (Ravensburg, 1988). New
ed. by Manfred Wenzel (Frankfurt am Main: Deutscher Klassiker, 1991). {natural philosophy}.
English translation by Charles
Lock Eastlake,
Goethe’s theory of colours (London: Murray, 1840). New ed. (Cambridge, Massachusetts: The MIT Press, 1963). New ed.
with an introduction by Deane Brewster Judd (1970).
English translation by Herb Aach, ed. arranged by Rupprecht Matthaei, Goethe’s
color theory (New York: Van Nostrand Reinhold, 1971).
French translation by Henriette Bideau, Le traité des couleurs,
with a preface, introduction and notes by Rudolf Steiner (Paris: Triades,
1973). 3rd revised ed. 1986.
Italian translation, La teoria dei colori (Milan: Il
Saggiatori, 1979). New ed. by R. Troncon (Milan: Il Saggiatore, 1983).
Portuguese translation by Marco Giannotti, Doutrina das cores
(Sao Paulo, Brazil: Nova Alexandria, 1996).
Spanish translation by Pablo Simon, Teoría de los colores (Buenos
Aires: Poseidón, 1945). Spanish translation by Rafael Cansinos Assens, included in Obras completas (1945). New ed. with
an introduction by Javier Arnaldo (Valencia,
Spain: Colegio de Arquitectos Técnicos de Murcia, 1992).
Swedish translation with introduction, comments and appendix by Pehr
Sällström, Goethe Färglära (Järna, Sweden: Kosmos, 1979). New ed. 1996.
SOWERBY, James [1757-1822]. 1809.
A new elucidation of colours, original, prismatic and material; showing their
concordance in three primitives, yellow, red, and blue; and the means of
producing mensuring, and mixing them: with some observations on the accuracy of
Sir Isaac Newton. English (London, England: Richard Taylor & Co.). {optics}.
RUNGE, Philipp Otto [1777-1810]. 1810.
Die Farben-Kugel, oder Konstruktion des Verhältnisses aller Mischungen der
Farben zu einander, und ihrer vollständigen Affinität, mit angehängtem Versuch
einer Ableitung der Harmonie in den Zusammenstellungen der Farben. German
(Hamburg, Germany: Friedrich Perthes). Facsimilar reprint (Mittenwald, Germany:
Mäander Kunstverlag, 1977). New ed. (Sttutgart: Freies Geistesleben, 1984). {painting, order
systems, aesthetics, harmony}.
Italian edition by R. Troncon, La sfera del colore
(Milan: Il Saggiatore, 1985).
MASSOUL, Constant de. 1812
(before). [French title not available]. French. {painting}.
English translation, A treatise on the art of painting, and the composition
of colours containing instructions for all the various processes of painting
(London: R. Ackerman, 1812).
QUATREMÈRE DE QUINCY, Antoine C.
[1755-1849]. 1814. Le Jupiter olympien; ou l’art de la
sculpture antique... ouvrage qui comprend un essai sur le goût de la sculpture
polychrôme, l’analyse explicative de la toreutique, et l’histoire de la
statuaire en or et ivoire chez les Grecs et les Romains.
French (Paris, France: Firmin Didot). {sculpture}.
WERNER, Abraham G. 1814.
Werner’s nomenclature of colors, edited by Patrick Syme. English (London,
England: William Blackwell and T. Caddell).
PETRINI, P. 1815. Dei colori
accidentali della luce, ossia della generazione dei colori ne’vari accidenti
d’ombra e di luce. Italian (Pistoia, Italy). {optics}.
SCHOPENHAUER, Arthur [1788-1860].
1816. Über das Sehen und die Farben. German (Leipzig, Germany: J. F.
Hartknoch). 3rd ed. revised and updated, 1854.
English translation by E. F. J. Payne, edited by D. E. Cartwright, On
vision and colors (Berg Pub., 1994).
French translation by M. Elie, Textes sur la vue et les couleurs
(Paris: Vrin, 1986).
Italian translation from the 3rd German ed., edited
by Mazzino Montinari, La vista e i colori (Milan: SE, 1995).
KLOTZ, Matthias [1784-1821].
1816. Gründliche Farbenlehre. German (Munich, Germany).
FIELD, George [1777-1854]. 1817.
Chromatics, or, an essay on the analogy and harmony of colours. English
(London, England: The author; printed by A. J. Valpy). 2nd augmented ed., Chromatics,
or the analogy, harmony and philosophy of colours (London: David Bogue,
1845). {aesthetics, harmony}.
READE, Joseph. 1818.
Experimental outlines for a new theory of colours, light and vision, with
critical remarks on Sir Isaac Newton’s opinions, and some new experiments on
radiant caloric. English (London, England: Longman, Hurst, Rees, Orme and
Browne). {optics, vision}.
FIELD, George [1777-1854]. 1820.
Aesthetics, or the analogy of the sensible sciences indicated, with an appendix
on light and colors. English (England: The Pamphleteer XVII). {aesthetics,
harmony}.
GRÉGOIRE, Gaspard. 1820 (circa).
Théorie des couleurs contenant explication de la table des couleurs. French
(Paris, France: The author).
SYMES, P. 1821. Werner’s
nomenclature of colours, adapted to zoology, botany, chemistry, mineralogy,
anatomy and the arts, 2nd ed. English.
TINGRY, Pierre François
[1743-1821]. 1821 (before). The painter’s and colourman’s complete guide;
being a practical and theoretical treatise on the preparation of colours, and
their application to the different kinds of painting: in wich is particularly
described the whole art of house painting. English (London, England). 1st
American ed., from the 3rd London ed. (Philadelphia, Pennsylvania: E. L. Carey
& A. Hart, 1831). {paints}.
CAWSE, J. 1822. Introduction
to the art of painting in oil colours. English (London, England).
{painting}.
DELACROIX, Ferdinand-Victor
Eugène [1798-1863]. 1822-1863 (inter). Journal. French (Paris, France:
manuscript). Edited by A. Joubin, 3 vols. (Paris, 1936-1960). {aesthetics, harmony,
painting}.
English translation by Walter Pach, The journal of Eugène Delacroix
(Covici, Friede, Inc., 1937). New ed. of Pach translation (Crown Publishers,
1948). New ed. (New York: Grove Press, 1961). English translation by L. Norton
(1980).
Italian translation, Diario, ed. by L. Vitali, 3 vols. (Turin,
1954).
PURKINJE, Jan Evangelista (Johann)
[1787-1869]. 1823. Physiologie der Sinne, vol. 1. German (Prague, Czech
Republic). Vol. 2, with the title Beobachtungen und Versuche zur
Physiologie der Sinne (Berlin: Reimer, 1825). {physiology, vision}.
VITALIS, J. B. 1823. Cours
elémentaire de teinture. French (Paris, France). {dyeing}.
HAYTER, Charles. 1826. A new
practical treatise on the three primitive colours. English (London,
England).
BURNET, John. 1827. Practical
hints on colour in painting. English (London, England). {painting}.
DÉAL, J.-N. 1827. Nouvel essai
sur la lumiére et les couleurs... ouvrage utile aux opticiens et aux peintres. French. 2nd ed. 1932.
{optics, painting}.
FRESNEL, Augustin Jean
[1788-1827]. 1827 (before). Théorie de la lumière. French. Included in Oeuvres
complètes, vol. 1 (Paris, 1868). {optics}.
CHEVREUL, Michel Eugène
[1786-1889]. 1829-1830. Leçons de chimie appliquée à la teinture,
2 vols. French
(Paris, France: Pichon et Didier). {applied chemistry, dyeing}.
LEUSHS, J. 1829. Traité complet des
proprietés de la préparation et de l’émploi des matiéres tinctoriales et de
couleurs. French (Paris, France: Malher et Cie.). {dyeing}.
VANHERMAN, T. H. 1829. Every man his own house-painter and colourman,
the whole forming a complete system for the amelioration of the noxious quality
of common paint; a number of invaluable inventions, discoveries and
improvements, and a variety of other particulars that relate to the house-painting
in general. English (London, England: I. F. Setchel). {paints}.
MÉRIMÉE, J. F. L. 1830. De la
peinture á l’huile ou des procédés matériels employés dans ce genre de
peinture, depuis Hubert et Jean Van-Eyck jusq’a nos jours. French (Paris,
France: Chez Mme. Huzard). {painting}.
SCHOPENHAUER, Arthur [1788-1860].
1830. Theoria colorum physiologica. Latin (Leipzig, Germany: Redam).
TOWERS, W., and T. J. TOWER.
1830. Every man his own
painter: or, a complete guide to painting and graining, containing general
instructions in the art of preparing, compounding, and applying all kinds of
paints, and making variuous varnishes for house, chair and furniture ... also,
a treatise on the art of imitating fancy woods and marbles. English (Utica, New
York, USA: J. Colwell). {paints}.
BEUTHER, Friedrich. 1833. Über
Licht und Farbe, die prismatischen Farben und die Newtonische Farbenlehre.
German (Kassel, Germany: J. J. Bohne). {optics}.
PLATEAU, J. 1834. Essai d’une théorie générale
concernant l’ensemble des apparences visuelles qui succèdent à la contemplation
des objects colorés et de celles qui accompagnent cette contemplation,
c’est-à-dire la persistance des impressions de la rétine, les couleurs
accidentelles, l’irradiation, les effets de la juxtaposition des couleurs, les
ombres colorées, etc. French (Brussels, Belgium: M. Hayez).
FIELD, George [1777-1854]. 1835.
Chromatography or a treatise on colours and pigments as used by artists.
English (London, England: Charles Tilt). 2nd ed. 1841. New ed. arranged by T.
W. Salter (London: Winsor & Newton, 1869). New ed. modernized by J. Scott
Taylor, Field’s chromatography, a treatise on colours and pigments for the
use of artists (London: Winsor & Newton, 1885).
KUGLER, Franz Theodor [1808-1858].
1835. Über die polychromie der griechischen architektur und sculptur und
ihre grenzen. German (Berlin, Germany: G. Gropius). {architecture, sculpture}.
BRANCHI, Giuseppe. 1836. Sopra
alcuni colori che nei secoli XIV e XV furono adoptati per le pitture
dell’insigne Campo Santo di Pisa e sulla compositione dell’intonaco che fu
fatto per le pitture mesdesime. Italian (Pisa, Italy: Tipografis Nistri). {painting}.
HAY, David Ramsay [1798-1866].
1836. The laws of harmonius colouring, adapted to interior decorations,
manufactures and other useful purposes. English (Edinburgh, Scotland: W.
and R. Chambers). New ed. (London, 1847). New ed. (Philadelphia, Pennsylvania,
1867). {aesthetics, harmony, interior design, crafts}.
German translation by L. Huettmann, Die
Gestze der Farbenharmonie vorzüglich für die Zwecke der Haus, Stuben und
Decorationsmalerei (Weimar: B. Y. Voigt, 1852).
PORTAL, P. P. Frédéric de. 1837. Des couleurs
symboliques dans l’antiquité, le moyen âge et les temps modernes. French (Paris,
France: Treuttel et Wurtz). Reedited, 1975. {religion}.
Spanish translation by Francesc Gutiérrez, El simbolismo de
los colores. En la Antigüedad, la Edad Media y los tiempos modernos (Palma
de Mallorca, Spain: José J. de Olañeta, Sophia Perennis, 2000).
BREWSTER, David [1781-1868].
1838. A treatise on optics. English (London, England; Philadelphia,
Pennsylvania, USA: Lea & Blanchard). {optics}.
HOWARD, Frank [1805-1866]. 1838.
Colour as a means of art, being an adaptation of the experience of professors
to the practice of amateurs. English (London, England: J. Thomas).
{education, arts}.
CHEVREUL, Michel Eugène
[1786-1889]. 1839. De la loi du contraste simultané des couleurs et de
l’assortiment des objets colorés considéré d’après cette loi dans ses rapports
avec la peinture, etc. French (Paris, France: Pitois-Levrault). New ed.
with an introduction by M. H. Chevreul, Jr. (Paris: Imprimerie Nationale,
1889). New ed. (Paris: L. Larget, 1969).
English translation by Charles Martel, The principles of harmony and
contrast of colours, and their applications to the arts: including painting,
interior decorations, etc. (London: Longman, Brown, Green, and Longmans,
1854). English translation by John Spanton, The laws of contrast of colour,
and their application to the arts of painting, decoration of buildings, mosaic
work, tapestry and carpet weaving, calico printing, dress, paper staining
printing, etc. (London, 1857). New English ed. by Faber Birren (New York:
Reinhold Publishing Corp., 1967). New ed. (New York: Garland Publishing Co.,
1980). New ed. with an introduction and commentary by Faber Birren (West
Chester, Pennsylvania: Schiffer, 1987).
German translation, Die Farbenharmonie in
ihrer anwendung bei der Malerei, dei der Fabrication von farbigen Waaren jeder
Art (Stuttgart: Paul Neff, 1840).
FIELDING, T. H. A. 1839. On
painting in oil and water colours for landscape and portraits, including the
preparation of colours, vehicles in oil &c. English (London, England).
{painting}.
GRÉGOIRE, Gaspard. 1839. Table
des couleurs, sur trois feuilles précédée d’une planche indicative des
couleurs. French (Paris, France: The author). {charts}.
ROUGET DE LISLE, A. 1839.
Chromagraphie. French (Paris, France: The author).
CAWSE, J. 1840. The art of
painting portraits... practically explained by coloured palettes. English
(London, England). {painting}.
LASSAIGNE, I. L. 1840. Dizionario
pittoresco e cromascopico dei reagenti chimici, 2 vols.
Italian (Mantua, Italy). {applied chemistry}.
DELICOURT, E. 1842. Album du contraste simultané
des couleurs, d’après le système de M. Chevreul, ou recueil d’examples de
papiers peints les plus propes à démontrer la loi du contraste simultané des
couleurs, à l’usage des peintres de tous genres, des décorateurs, des modistes,
des fabricants d’étoffes de couleurs diverses, destinées à l’habillement et à
l’ameublement, des fabricants de vitreaux colorés, etc. French (Paris,
France: Imprimerie de Chassaignon). 2nd ed. 1847. {aesthetics, harmony,
painting, interior design}.
FIELDING, T. H. A. 1842. On
the theory of painting; to which is added an introduction to painting in
water-colour with an index of mixed tints; also, an appendix containing a
manual of lithography, 3rd ed. enlarged. English (London, England: Ackerman
& Co.). {painting}.
WILLSON, Harry. 1842. The use
of a box of colours, in a practical demostration on composition, light and
shade, and colour. English (London, England: Tilt and Bogue).
JAMESON, D. D. 1844.
Colour-music. English. {color-music}.
HAY, David Ramsay [1798-1866].
1845. A nomenclature of colours, hues, tints and shades. English
(Edinburgh, Scotland). {order systems}.
HAY, David Ramsay [1798-1866].
1845. The principles of beauty in colour systematized. English
(Edinburgh, Scotland: William Blackwood & Sons). 2nd ed. 1849. {aesthetics,
harmony}.
CHEVREUL, Michel Eugène [1786-1889]. 1846.
Theorie des effets optiques que présentent les étoffes de soie. French (Paris, France:
Firmin Didot). {optics}.
DUMAS, Jean Baptiste Andre
[1800-1884]. 1846. Matiéres colorantes et teinture, vol. VIII of
Traité de chimie apliquée aux arts. French (Paris, France: Bechet).
{applied chemistry, dyeing}.
PARNELL, E. A. 1846. A
practical treatise on dyeing and calico-printing. English (New York, USA). {dyeing}.
PERSEZ, J. F. 1846. Traité
théorique et practique de l’impression des tissus. French (Paris, France:
Bibliotèque des Arts Industriels, Arts Chimiques). {textiles}.
TEIXEIRA, Marianno, and Vicente DE
BASTOS. 1846. Breve tractado do berdade a matix, a patitpoint. Ornado de un
mappa das côres, com os nomes mais conhecidos pelo vulgo, para milhor
intelligencia, acompanhado do curioso, symbolo, e significaçao das côres.
Portuguese (Lisbon, Portugal: Typografica da Gazeta dos Tribunaes).
EASTLAKE, Charles Lock
[1793-1865]. 1847-1869. Materials for a history of oil painting, 2 vols.
English. New ed., Methods and materials of painting of the great schools and
masters (New York: Dover; London: Constable, 1960). {painting, history}.
PARTRIDGE, W. 1847. A
practical treatise on dyeing woolen, cotton and silk. English (New York,
USA). {dyeing}.
GONFREVILLE, M. D. 1848. Art
de la teinture des laines. French (Paris, France). {dyeing}.
BOETTICHER, P. A. 1849. Initia
chromatologiae arabicae. Latin (Berlin, Germany).
MERRIFIELD, Mary P. 1849.
Original treatises dating from XIIth to XVIIIth century on the arts of painting
in oil, miniature, mosaic, on glass. English (London, England: Murray). New
ed. with an introduction and glossary by S. M. Alexander, 2 vols. (New York:
Dover, 1967). {painting}.
FIELD, George [1777-1854]. 1850.
Rudiments of the painter’s art: or, a grammar of colouring, applicable to
operative painting, decorative architecture and arts. English (London,
England: John Weale). 2nd ed. 1858. New revised ed. by Robert Mallet, The
rudiments of colours and of colouring with the nature of pigments for the use
of decorative artists, painters, etc. (London: Strahan & Co., 1870).
New ed. (Crosby Lokwood & Son, 1888). {aesthetics, harmony, painting,
interior design}.
RIDNER, J. P. 1850. The
artists’ chromatic hand-book. English (New York, USA). {arts}.
HINCKLEY. 1851. The theory of
effect; embracing the contrast of light and shade, of colour and harmony. By an
artist. English (Philadelphia, Pennsylvania, USA: J. W. Moore).
{aesthetics, harmony}.
HITTORFF, Jacques-Ignace [1792-1867].
1851. Restitution du temple d’Empédocle a
Sélinonte, ou l’architecture polychrôme chez les Grecs. French (Paris, France:
Firmin Didot). {architecture}.
JONES, Owen [1809-1874]. 1852.
An attempt to define the principles which should regulate the employment of colour
in the decorative arts. English (London, England: G. Barclay). {aesthetics,
harmony}.
LINTON, William James. 1852.
Ancient and modern colours from the earliest periods to the present time: with
their chemical and artistical properties. English (London, England:
Longman, Brown, Green, and Longmans).
ZIEGLER, Jean Claude. 1852. Traité
de la couleur et de la lumière. French (Paris, France: Typographie Hennuyer).
NAPIER, J. 1853. A manual of
dyeings and dyeing receipts. English (London, England). 3rd ed. 1875.
{dyeing}.
REDGRAVE, Richard. 1853. An
elementary manual of colour, with a Catechism: to be used with the diagram
illustrating the harmonious relations of colour. English (London, England:
Chapman & Hall). {aesthetics, harmony}.
SYREENI, O. 1853. Standards
for colours and basic colour substances. English (Helsinki, Finland).
JONES, Owen [1809-1874]. 1854.
Color in architecture and decoration. An apology for the colouring of the Greek
court in the Crystal palace, with arguments by G. H. Lewes and W. Watkiss
Lloys, and a fragment of the origin of polychromy by Gottfried Semper.
English (London, England: Crystal Palace Library and Bradbury & Evans).
{architecture, interior design}.
MINIFIE, William. 1854. An
essay on the theory of color and its application to architectural and
mechanical drawings. English (Baltimore, Maryland, USA: The author).
{drawing, architecture}.
TORTIMA, Giovanni. 1854.
Richerche intorno all’idea del senso della vista, della luce e dei colori che
un cieco può formarsi coi soli aiuti della propria esperienza. Italian
(Padua, Italy). {vision}.
DELF, Thomas (pseudonym Charles
Martel) [?-1865]. 1855. The principles of colouring in painting. English
(London, England: Winsor & Newton). 11th ed. 1878. {painting}.
LEFORT, J. 1855. Chimie des
couleurs pour la peinture à l’eau et à l’huile comprenant l’historique, la
synonyme, les propriétés physiques et chimiques, la préparation, les variétés,
les falsifications, l’action toxique et l’emploi des couleurs anciennes et
nouvelles. French (Paris, France: Masson). {applied chemistry, paints}.
WILSON, George, ed. 1855.
Researches on colour blindness with a supplement on the danger attending the
present system of railway and marine signals. English (Edinburgh, Scotland:
Sutherland & Knox). {color vision defects, signals}.
JONES, Owen [1809-1874]. 1856. The grammar of ornament. English (London: Day and
Son). New
ed. (London, England: Bernard Quaritch, 1910). {architecture, arts}.
GLADSTONE, William Ewart
[1809-1898]. 1858. Studies on Homer and the homeric age, vol. 3. English
(London, England: Oxford University Press). {philology,
terminology}.
German translation, Der Farbensinn mit besonderer Berüchsichtigung
der Farbenkenntniss des Homer (Breslau, Germany, 1878).
LLUCH, Francisco Javier. 1858. Arte
de armonizar los colores o ley del contraste en la juxtaposición de los mismos.
Con aplicación de dicha ley a las bellas artes. Spanish (Barcelona, Spain:
El Porvenir). {aesthetics, harmony}.
WILKINSON, J. Gardner
[1797-1875]. 1858. On colour, and the necessity for a general diffusion of
taste among all classes, with remarks on laying out dressed geometrical
gardens. Examples of good and bad taste, illustrated by woodcuts and coloured
plates in contrast. English (London, England: Murray). {aesthetics, harmony,
gardening}.
FECHNER, Gustav Theodor [1801-1887].
1860. Elemente der Psychophysik. German (Leipzig, Germany: Breitkopf und
Härtel). 2nd ed. 1889. {psychophysics}.
English translation by H. E.
Adler, Elements of psychophysics (New York: Holt, Rinehart and Winston,
1966).
GOODWIN, Thomas G. 1860. A
short account of the art of polychrome, historycal and practical. English
(London, England: Joseph Masters).
GRISON, T. 1860. La teinture au
dix-neuvième siècle. French (Paris, France). 3rd ed. with 459 colored samples,
1884. {dyeing}.
SEMPER, Gottfried [1803-1879].
1860-1863. Der Stil in den technischen und tektonischen Künsten. Ein
Handbuch oder praktischen Aestetik für Techniker, Künstler und Kunstfreunde,
2 vols. German (Frankfurt, Germany). {architecture, aesthetics}.
English translation, The
style... (1889).
CHEVREUL, Michel Eugène [1786-1889].
1861. Exposé d’un moyen de définir et de nommer les couleurs, d’aprés une
méthode précise et experimentale, avec l’application de ce moyen a la
définition et a la dénomination des couleurs d’un grand nombre de corps
naturels et de produits artificiels: Atlas. French (Paris, France: Firmin
Didot, Mémoires de l’Académie des Sciences, vol. 33).
CHEVREUL, Michel Eugène [1786-1889].
1861. Recherches chimiques sur la teinture, 11th memory. French (Paris, France:
Firmin Didot). {applied chemistry, dyeing}.
GORHAM, John. 1861. The
rotation of coloured discs, applied to facilitate the study of the laws of
harmonious colouring, by the multiplication of images of objects into kaleidoscopic
combinations, 2nd ed. English (London, England: Robert Hardwicke).
{aesthetics, harmony}.
LÖFFLER, C. 1861. Das
Chinagrün (Lo-kao). German (Weimar, Germany).
ADAMS, Rudolf [1820-?]. 1862. Die
Farben-Harmonie in ihre awendung auf die Damentoilette. German (Leipzig,
Germany: J. J. Weber).
FAIVRE, Ernest. 1862. Oeuvres
scientifiques de Goethe analysées et appréciées par Ernest Faivre. French
(Paris, France: Hachette). {natural philosophy}.
CAVE, Marie Elisabeth Blavot.
1863. La couleur: ouvrage approuvé par M. Eugène Delacroix pour apprendre la
peinture à l’huile et l’aquarelle. French (Paris, France). {painting}.
English translation from the 3rd ed., The Cave method of drawing for
students. Second part: Color (New York, USA: G. P. Putnam & Son,
1869).
CHEVREUL, Michel Eugène [1786-1889]. 1863. Recherches
chimiques sur la teinture, 12th, 13th, and 14th memories. French (Paris,
France: Firmin Didot, Mémoires de l’Academie des Sciences, vol. 34). {applied
chemistry, dyeing}.
ULRICH, M. L., and H. DUSSANCE.
1863. A complete treatise on the dyeing of cotton and wool. English
(Philadelphia, Pennsylvania, USA). {dyeing}.
CHEVREUL, Michel Eugène
[1786-1889]. 1864. Des couleurs et de leurs applications aux arts
industriels à l’aide des cercles chromatiques; avec 27 planches gravées sur
acier et imprimées en couleur par René Digeon. French (Paris, France:
Baillière et fils).
REGNIER, J. D. 1865. De la
lumière et de la couleur chez les grands maîtres anciens. French.
BRÜCKE, Ernst Wilhelm [1819-1892].
1866. Die Physiologie der Farben für die Zwecke der Kunstgewerbe. German
(Leipzig, Germany: Hirzel). 2nd ed. (Leipzig: Hirzel, 1887). {optics, vision}.
French translation by J. Schutzenberg, Des couleurs au point de vue
physique, physiologique, artistique et industriel (Paris: Baillière, 1866).
HELMHOLTZ, Hermann Ludwig
Ferdinand von [1821-1894]. 1866. Handbuch der Physiologischen Optik.
German
(Hamburg, Germany: Leopold Voss). 2nd revised ed. 1896. 3rd ed. with
supplements by A. Gullstrand, J. A. von Kries, and W. Nagel (Hamburg and
Leipzig: Leopold Voss, 1909-1911). {physiology, vision}.
English translation from the 3rd German ed., Treatise on
physiological optics, ed. James P. C. Southall, 3 vols. (Rochester, New
York: The Optical Society of America, 1924-1925). Republication, 2 vols. (New
York: Dover, 1962).
French translation by E. Javal and N. T. Klein, Optique physiologique
(Paris: Masson, 1867).
BAUDELAIRE, Charles Pierre
[1821-1867]. 1867 (before). Le peinture de la vie moderne. French (France).
{aesthetics, arts, painting}.
English translation and ed. by Jonathan Mayne, The painter of modern
life, and other essays (London: Phaidon, 1965).
BAUDELAIRE, Charles Pierre
[1821-1867]. 1867 (before). L’oeuvre et la vie de Delacroix. French (France).
{arts, painting, biography}.
English translation by Joseph M. Bernstein, Delacroix, his life and
work (New York: Lear Publishers, 1947).
CHEVREUL, Michel Eugène [1786-1889].
1867. Des arts qui parlent aux yeux au moyen de solides colorés d’une
étendue sensible, et en particulier des arts du tapissier des Gobelins. French (Paris,
France).
GEIGER, L. 1867. Über den
Farbensinn der Urzeit. German (Frankfurt, Germany).
RICHTER, E., and W. BRAUN. 1867.
Die Wollengarn-Färberei. German (Berlin, Germany).
SCHÜTZENBERGER, M. Paul. 1867.
Traité des matières colorantes comprenant leurs applications à la teinture et à
l’impression et des notices sur les fibres textiles, les épaississants et les
mordants, 2 vols. French (Paris, France: Masson). {dyeing, textiles}.
BENSON, William. 1868.
Principles of the science of colour concisely stated to aid and promote their
useful application in the decorative arts. English (London, England:
Chapman & Hall). New ed. 1930.
CROSS, Chas. 1869. Solution
générale du probléme de photographie des couleurs. French (Paris,
France). {photography}.
DUCOS DU HAURON, Louis [1837-1920].
1869. Les couleurs en photographie. Solution du problème. French (Paris,
France). {photography}.
HASERICK, E. C. 1869. The secrets of the art
of dyeing. English (Cambridge, Massachusetts, USA). {dyeing}.
AUDSLEY, William James [1833-?],
and George Ashdown AUDSLEY [1838-?]. 1870. Color in dress. English
(London, England). Ned ed. adapted from the London ed., Color in dress: a
manual for ladies (Philadelphia, Pennsylvania: G. Maclean). {dress,
fashion}.
SHARPE, Edmond [1809-1877]. 1870.
Four letters on colour in churches, on walls and in windows. English
(London, England: Spon Co.).
CHURCH, Arthur Herbert
[1834-1915]. 1871. Colour, an elementary manual for students. English
(London, England: Cassell & Co.). 2nd enlarged ed. 1887. New
ed. 1901.
HELMHOLTZ, Hermann Ludwig Ferdinand
von [1821-1894]. 1871-1873. Optisches über Malerei. German. {physiology,
vision, painting}.
French translation, L’optique et la peinture (Paris: Alcan, 1878).
4th ed. 1891.
VAN GOGH, Vincent Willem
[1853-1890]. 1872-1890 (inter). [Letters]. Dutch and French (The Hague,
The Netherlands; Antwerp, Belgium; Arles, Saint-Rémy, Auvers-sur-Oise, France:
manuscript). Posthumous edition, Verzamelde Brieven van Vincent van Gogh,
compiled by J. van Gogh-Bonger, 4 vols. (Amsterdam and Antwerp:
Wereld-Bibliotheek, 1953-1956). {painting}.
English translation by J. van Gogh-Bonger and C. de Dood, The
complete letters of Vincent van Gogh, 3 vols. (Greenwich, Connecticut: New
York Graphic Society, 1958). New ed. by Mark Roskill, The letters of Vincent
van Gogh (New York: Atheneum, 1963).
French edition, Correspondance complète (Paris:
Gallimard-Grasset, 1960).
Spanish translation, Cartas a Théo (Barcelona: Barral,
1971). Spanish
translation by Francisco de Oraa, with introduction by Fayad Jamís, Cartas a
Théo (Barcelona: Idea Books, 1998).
BEZOLD, J. F. Wilhelm von [1837-1907].
1874. Die Farbenlehre im Hinblick auf Kunst und Kunstgewerbe. German
(Brunswick, Germany: Georg Westermann). 2nd ed. (Brunswick: Friedrich Vieweg
& Son, 1921).
English translation by S. R.
Koehler, with an introduction and notes by E. C. Pickering, The theory of
color; and its relation to art and art-industry (Boston: Prang, 1876).
CROOKES, W. 1874. A practical
handbook of dyeing and calico-printing. English (London, England).
{dyeing}.
RIFFAULT DES HETRES, Jean René
Denis [1754-1826], VERGNAUD, and TOUSSAINT. 1874 (before). [French title not
available]. French. {printing industry}.
English translation by A. A. Fesquet, A practical treatise on the
manufacture of colors for printing. Comprising the origin, definition, and
classification of colors: the treatment of the raw materials (Philadelphia,
Pennsylvania: H. C. Baird, 1874).
CALVERT, F. C. 1876. Dyeing
and calico printing. English (London, England). {dyeing}.
KLEMM, G. F. 1876. Unterricht im
arrangement der damentoiletten von standpukte der Kleideraesthetik un der
Farben-Harmonie. German (Dresden, Germany: H. Klemm). {aesthetics, harmony}.
STILLING, J. 1876. Pseudo-isochromatische
Tafeln für die Prüfung des Farbensinnes. German (Strasbourg,
France). {color vision defects}.
HOLMGREN, Alarik Frithiof. 1877. Om
Färbenblindheten i dess Förhållande till Jernvögstrafken och Sjöväsendet. Swedish (Uppsala, Sweden:
E. Berlings). {color vision defects}.
French translation, De la cécité des couleurs dans ses rapports avec
les chemins de fer et la marine (Stockholm: Imprimerie Central, 1877).
German translation, Die Farbenblindheit
(Leipzig, Germany: Vogel, 1878).
MAGNUS, Hugo F. 1877. Die
Geschichtliche Entwickelung des Farbensinnes. German
(Leipzig, Germany: Von Veit). {philology, terminology, vision}.
French translation by Jules Soury, Histoire de l’évolution du sens
des couleurs (Paris: C. Reinwald, 1878).
Spanish translation by Carlos López Fuentes, Evolución del
sentido de los colores (Buenos Aires: Hachette, 1976).
PANCOAST, N. 1877. Blue and
red light. English (Philadelphia, Pennsylvania, USA: J. M. Stoddart).
PLEASONTON, Augustus James
[1808-?]. 1877. The influence of the blue ray of the sunlight and of the
blue colour of the sky, in developing animal and vegetable life; in arresting
disease, and in restoring health in acute and chronic disorders to human and
domestic animals. English (Philadelphia, Pennsylvania, USA: Claxton, Remsen
& Haffelfinger). {agriculture, health, chromotherapy}.
BABBITT, Edwin Dwight. 1878.
The principles of light and color. English. Partial ed. with the title Dr.
Babbitt’s color therapy (Malaga, New Jersey, 1925). New ed. by Faber Birren
(New Hyde Park, New York: University Books, 1967). {health, chromotherapy}.
ELVEENA, C. 1878. The harmony
of color. English (Detroit, USA). {aesthetics, harmony}.
GIBSON, R. H. 1878. The american dyer. English (Boston,
Massachusetts, USA). {dyeing}.
HERING, Ewald [1834-1918]. 1878.
Zur Lehre vom Lichtsinne. German (Vienna, Austria: Carl Gerold’s Sohn). New
ed., Grundzüge der Lehre vom Lichtsinne (Leipzig: Engelmann, 1905). New ed. (Berlin:
Julius Springer, 1920). {vision}.
English translation by Leo M. Hurvich and Dorothea Jameson, Outlines
of a theory of the light sense (Cambridge, Massachusetts: Harvard
University Press, 1964).
JAENNICKE, Friedrich [1831-1907].
1878. Die farbenharmonie mit besonder rücksicht auf den gleichzeitgen
contrast in ihrer anwendung in der malerei, in der decorativen kunst, bei
ausschmückung der wohnräume sowie in kostum & toilette. German
(Stuttgart, Germany: P. Neff). {aesthetics, harmony}.
O’NEILL, C. 1878. The practice
and principles of calico printing. English (Manchester, England).
{dyeing}.
PRÜFER, H. 1878. Die Wollen und
Halbwollen-Stückfarberei. German (Leipzig, Germany).
SOURY, J. 1878. De l’evolution
historique du sens des couleurs. French.
ALLEN, Grant [1848-1899]. 1879.
The colour-sense, its origins and development. An essay in comparative
psychology. English (London, England: Trübner & Co.; Boston, USA:
Houghton, Osgood & Co.).
CHEVREUL, Michel Eugène [1786-1889].
1879. Compléments d’etudes sur la vision des couleurs: de l’influence
exercée sur la vision par des objects colorés qui se mouvant circulairement
autour d’un axe perpendiculaire à leur plan quand on les observe compartivement
avec des objets en repos identiques aux premiers. French
(Paris, France: Firmin-Didot, Mémoires de l’Académie des Sciences, vol. 41).
{vision}.
GUILLEMIN, Amédée Victor [1826-1893].
1879. La lumière et les couleurs, 3rd ed. French (Paris, France: Hachette).
MAGNUS, Hugo F. 1879. Die
methodische Erziehung des Farbensinnes. German
(Breslau, Germany: Kern). New ed. 1902.
MARTY, Anton. 1879.
Die Frage Nach der Geschichtlichen Entwickelung des Farbensinnes. German (Vienna,
Austria: Carl Gerold’s Sohn).
ROLFE, Clapton Crabb. 1879.
The ancient use of liturgical colours. English (Oxford, England: Parker
& Co.). {religion}.
ROOD, Ogden Nicholas [1831-1902].
1879. Students’ text-book of color; or Modern chromatics, with applications
to art and industry. English (New York, USA: Appleton). New ed. 1881. 4th
ed. (London, 1904). New ed. 1913. New ed. with notes by Faber Birren (New York:
Van Nostrand, 1973).
French translation, Théorie scientifique des couleurs et de leurs
applications à l’art et à l’industrie (Paris: Germer Baillière et Cie.,
1881, Bibliothèque Scientifique Internationale, vol. 38).
German translation, Die Moderne
Farbenlehre mit Hinweisung auf ihre Benutzungen in Malerei und Kunstgewerbe
(Leipzig: F. A. Brockhaus, 1880).
GUICHARD, Edouard [1815-?]. 1880.
L’harmonie des couleurs. French (Paris, France: A. Goubaud et fils). {aesthetics,
harmony}.
German translation, Die Harmonie der Farben (Frankfut am Main: W.
Rommel, 1882).
HIGGIN, L. 1880. Art as
applied to dress, and to armonius colour. English (New York, USA: Scribner
& Welford). 2nd ed. (London: Virtue, 1885). {dress, aesthetics}.
JEFFRIES, B. J. 1880.
Color-blindness: its dangers and its detection. English (Boston,
Massachusetts, USA: Houghton, Osgood). {vision, color vision defects}.
KOHLER, Henrich. 1880. Polychrome
meinterwerke der monumentalen kunst in Italien vom V bis XVI Jahrhundert. Unter mitkirkung. Gottfried Kinkel (for
the English language), Charles Hittorf (for the French language) and Max Jordan
(for the Italian language). German (Leipzig, Germany).
MAGNUS, Hugo F. 1880. Untersuchungen
über den Farbensinn der Naturvölker. German (Jena, Germany: F.
Fisher).
MUCKLEY, William. 1880. A
handbook for painters and art students on the character, nature and use of
colours, their permanent or fugitive qualities, and the vehicles proper to
employ. Also, short remarks on the practice of painting in oil and water
colours. English (London, England: Baillière, Tindall and Cox). {painting}.
MAGNUS, Hugo F. 1881. Farben
und Schöpfung. German (Breslau, Germany).
MIERZINSKI, S. 1881. Die Erd-,
Mineral- und Lack-Farben. German (Leipzig, Germany).
SMITH, D. 1881. Practical
dyer’s guide, 2nd ed. English (London, England). {dyeing}.
ALBERT, Eugen. 1882. Über die
aenderung des farbentones von spectralfarben und pigmenten bei abnetomender
lichtstärke. German (Leipzig, Germany: Johann Ambrosius Barth).
AUDSLEY, William James [1833-?],
and George Ashdown AUDSLEY [1838-?]. 1882. Polychromatic decoration as
applied to buildings in the medieval styles. English (London, England:
Sotheran & Co.). {architecture}.
BIRD, F. J. 1882. The american
practical dyer’s companion. English (Philadelphia, Pennsylvania, USA).
{dyeing}.
CHEVREUL, Michel Eugène
[1786-1889]. 1882. Mémoire sur la vision des couleurs matérielles
en mouvement de rotation et des vitesses numériques de cercles... French (Paris, France:
Firmin Didot, Mémoires de l’Académie des Sciences, vol. 42). {vision}.
CROOKES, W. 1882. Dyeing and
tissue printing. English (London, England). {dyeing, textiles}.
DONNELLY, Ignatius. 1882.
Atlantis. English (New York, USA: Harper and Bros.).
GUICHARD, Edouard [1815-?]. 1882.
La grammaire de la couleur, 3 vols. French (Paris, France: H.
Gagnon).
CROCKER, Lucretia, ed. 1883. Lessons on colour in
primary schools. English (Chicago, USA: Winchell & Co.). {education}.
GALTON, Francis. 1883.
Inquiries into human faculty. English (London, England: MacMillan &
Co.).
HUGHES, F. J. 1883. Harmonies
of tones and colours developed by evolution. English (London, England: M.
Ward & Co.). Supplement published in 1885.
KEERSMAECKER, A. de. 1883. Les
sens des couleurs chez Homere. French.
MAGNUS, Hugo F. 1883. Über
ethnologische Untersuchungen des Farbensinnes. German (Berlin,
Germany: Carl Habel).
NATIONAL PHILATELIC SOCIETY.
1884. A color chart. English (New York, USA). {charts}.
RIFFAULT DES HETRES, Jean René
Denis [1754-1826], VERGNAUD, TOUSSAINT, and MALEPEYRE. 1884. Nouveau manuel
complet du fabricant de couleurs. French (Paris, France: Librairie
Encyclopédique de Roret).
SCOTT, J. W. 1884. The
standard color chart. English (New York, USA). {charts}.
BRACQUEMOND, J. Felix. 1885. Du
dessin et de la couleur. French (Paris, France: Charpentier).
TAFFERNER, Béla [1850-?]. 1885.
Szin és szinharmonia. Kivàlo tekintettel: a sikornamentikàra és a müipar
igényeire. A szinstyl és a szinharmonia történétének vàzlatàval. Hungarian
(Budapest, Hungary: Markus S.). {harmony}.
CAMPBELL, Janey S. 1886.
Rainbow-music. English (London, England: B. Quaritch). {color-music}.
MACH, Ernst [1838-1916]. 1886. Die
Analyse der Empfindungen und das Verhältniss des Physischen zum Psychischen.
German (Jena, Germany: Gustav Fischer).
English translation by C. M.
Williams, Contributions to the analysis of sensations (Chicago: Open
Court, 1897). English translation by S. Waterlow, The analysis of sensations
(New York: Dover, 1959).
RIDGWAY, Robert [1850-1929].
1886. A nomenclature of colors for naturalists. English (Boston,
Massachusetts, USA: Little, Brown).
FODERA, Filippo Arturo. 1887. La
funzione cromatica nei camaleoni. Italian (Palermo, Italy). {zoology}.
LECOY DE LA MARCHE, Albert. 1887.
Il libro de i colori. Secreti del secolo XV, edited by O. Guerrini and C.
Ricci. Italian (Bologna, Italy).
MIERZINSKI, S. 1887. Die Gerb und
Farbstoff Extracte. German (Leipzig, Germany).
CHARPENTIER, Augustin. 1888.
La lumière et les couleurs au point de vue physiologique. French (Paris,
France: Baillière). {physiology, vision}.
DELITZSCH, Franz Julius [1813-1890].
1888. Iris. Farbenstudien und Blumenstücke. German (Leipzig, Germany:
Dorffling & Franke).
English translation by
Alexander Cusin, Iris: Studies in color and talks about flowers.
GUIGNET, C. E. 1888. Fabrication
des couleurs. French (Paris, France: Encyclopédie Chimique, tome X).
HENRY, Charles [1859-1926]. 1888.
Cercle chromatique présentant tous les compléments et toutes les harmonies de
couleurs avec une introduction sur la théorie générale du contraste, du rythme
et de la mesure. French (Paris, France: Ch. Verdin). {aesthetics, harmony}.
SANSONE, A. 1888. Dyeing.
English (Manchester, England). {dyeing}.
VECKENSTEDT, Edmund. 1888.
Geschichte der griechischen Farbenlehre: das Farbenbezeichnungen der griechischen
Epiker von Homer bis Quintus Smyrnäus. German (Paderborn, Germany: F.
Schöningh).
GUIGNET, C. E. 1889. Les
couleurs, 8th ed. French (Paris, France: Hachette).
PERSPACH, M. 1889 (circa). La mosaïque. French (Paris,
France).
REISIG, F. W. 1889. The guide
to piece-dyeing. English (New York, USA). {dyeing}.
BRADLEY, Milton [1836-1911].
1890. Color in the school room. English (Springfield, Massachusetts,
USA: M. Bradley & Co.).
EWALD, A. 1890. Die Farbenbewegund
kulturgeschichtliche Untersuchungen. German (Berlin, Germany: Weidman).
HOHENHEIM, A., and E. RICHARDS. 1890.
Chic ein Ratgeber für Damen in allen Toilettenfragen mit besonderer
Berücksichtigung. German (Stuttgart, Germany: Greiner & Pfeiffer).
KIRSCHMANN, August [1860-1932]. 1890.
Über dis quantitativem Verhaltnisse des Simultatenhelligkeits und farben
Contrastes. German (Leipzig, Germany: W. Engleman).
LACOUTURE, Charles. 1890.
Répertoire chromatique; solution raisonnée et pratique des problèmes les plus
usuels dans l’étude et l’emploi des couleurs. French (Paris, France:
Gauthier-Villars).
SALACIS, Gustave [1818-1899].
1890. Manual training in France. Suggestion for the teaching of colour.
English (New York, USA). {education}.
SUAREZ DE MENDOZA, E. 1890. L’audition colorée:
étude sur les sensations secondaires phisiologiques et particulièrement sur les
pseudo-sensations de couleurs associées aux perceptions objectives des sons. French (Paris,
France: Octave Donin). {psychology, sensation, perception}.
ABNEY, William de Wiveleslie
[1844-1920]. 1891. Colour measurement and mixture. English (London,
England: Society for Promoting Christian Knowledge; New York, USA: E. & J.
B. Young). {optics, colorimetry}.
ALLEN, Grant [1848-1899]. 1891.
The colours of flowers as illustrated in the British flora. English
(London, England). {botanic}.
HENRY, Charles [1859-1926]. 1891.
Harmonies de formes et de couleurs, démonstrations pratiques, avec le
rapporteur esthetique et le cercle chromatique, conference faite à la
Bibliothèque Forney le 27 mars 1890. French (Paris, France: A. Hermann).
{aesthetics, harmony}.
OSGOOD, A. H. 1891. How to
apply royal Wercenter, matt, bronze, lacroix, and Dresden colors to china.
Handbook for amateurs, containing methods, filding, mixing of colors, ground
laying, etc. English (New York, USA).
ROBERT, Ulysse L. L. 1891. Les signes d’infamie
du Moyen-Age, juifs, sarrasins, heretiques, lépreux, cegats et filles
publiques. French (Paris, France: H. Champion).
SACCARDO, Pier Andrea. 1891.
Chromotaxia seu nomenclator colorum polyglottus additis speciminibus coloratis
ad usum botanicorum et zoologorum. Latin (Pavia, Italy: Typis Seminarii).
2nd ed. 1894. {charts, terminology}.
VIBERT, J. G. 1891. La science
de la peinture, 5th ed. French (Paris, France: Paul Allendorff). 8th ed. revised by
the author, 1892. 15th ed. 1915.
English translation from the 8th ed. by Percy Young, retranslated and
revised from the 15th ed., The science of painting (London, 1915).
HOFFMANN, Hermann. 1892.
Systematische Farbenlehre. Für die Technik, insbesondere für den Gebrauch in
Buchdruckereien, bearbeitet. German (Zwickau, Germany: Förster &
Borries).
JAEGER, W. 1892. Untersuchungen der
Farbkonstanz und Farbgedachtnis-Sitzber. German (Heidelberg, Germany:
Springer).
KNIGHT, Richard Payne. 1892.
The symbolical language of ancient art & mythology. English (New York,
USA: J. W. Bonton).
MILLET, Jules. 1892. Auditión
colorée. French (Montpellier, France: thesis). {psychology,
sensation}.
PIEQUET, O. 1892. La chimie des
teinturiers. Nouveau traité théorique et practique de l’art de la
teinture et de l’impression des tissus. French (Paris, France: L. Camut).
{applied chemistry, dyeing, textiles}.
WINSOR & NEWTON. 1892. A
brief account of the composition and permanence of artists colours. English
(London, England: Cassell & Co.).
BRADLEY, Milton [1836-1911].
1893. Color in the kindergarten. English (Springfield, Massachusetts,
USA: M. Bradley & Co.).
GUAITA, Luigi. 1893. La scienza dei
colori e la pittura. Italian (Milan, Italy: Hoepli).
KNECHT, E., RAWSON, and LOWENTHAL.
1893. A manual of dyeings. English (London, England). 6th ed. 1920.
{dyeing}.
LEIDEL, Henry. 1893. Hints on
tints and how to mix them, with an introductory essay on color and colors by
the author. English (New York, USA: H. Leidel). 2nd ed. 1894.
LOVIBOND, Joseph W. 1893.
Measurement of light and colour sensations. English (London, England:
George Gill & Sons).
PRANG, Louis, et al. 1893. Color instruction;
suggestions for a course of instruction in color for public schools. English (Boston,
Massachusetts, USA: Prang). {education}.
TERRY, G. 1893. Pigments,
paint and painting. English (London, England).
TIVOLI, A. 1893. I colori
nelle locuzioni italiane. Italian (Turin, Italy). {philology, terminology}.
MAUTHNER, Ludwig. 1894.
Farbenlehre. German (Wiesbaden, Germany).
ABNEY, William de Wiveleslie
[1844-1920]. 1895. Colour vision: being the Tyndall lectures delivered in
1894 at the Royal Institution. English (London, England: Sampson Low,
Marston & Co.). {physiology, vision}.
BRADLEY, Milton [1836-1911]. 1895.
Elementary color. English (Springfield, Massachusetts, USA: M. Bradley
& Co.).
LAURIE, Arthur Pillans
[1861-1949]. 1895. Facts about processes, pigments, and vehicles; a manual
for art students. English (London, England: MacMillan & Co.).
{painting}.
MAYCOCK, Mark. 1895. A
class-book for color teachers. English (Buffalo, New York, USA: M. Bradley
& Co.).
STEINBECK, C. H. 1895. Bleichen und
Färben der Seide und Halbseide. German (Berlin, Germany).
CHACE, Helena P. 1896. Practical color work
for primary and ungraded schools. English (Springfield, Massachusetts, USA: M. Bradley &
Co.).
DUERR, G. 1896. Bleaching and
calico printing. English (London, England).
LEFÉVRE, L. 1896. Traité des
matieres colorantes. French (Paris, France).
ABNEY, William de Wiveleslie
[1844-1920]. 1897. The scientific requirements of colour photography.
English (London, England). {photography}.
BENAKY, N. P. 1897. Du sens
chromatique dans l’antiquité sur la base des dernières découvertes de la
prèhistorie, de l’étude des monuments écrits des anciens et des données de la
glossologie. French (Paris, France: A. Maloine).
BONACINI, Carlo. 1897. La
fotografia dei colori. Italian (Milan, Italy: Hoepli). {photography}.
BRADLEY, Milton [1836-1911].
1897. The color primer. English (Springfield, Massachusetts, USA: M.
Bradley & Co.).
COZANET, Albert (pseudonym, Jean
d’Udine). 1897. De la corrélation des sons et des couleurs an l’art. French (Paris, France:
A. Jaconin).
DUCOS DU HAURON, Alcide. 1897.
La triplice photographique des couleurs et l’imprimerie, système de
photochromographie. French (Paris, France).
HUBL, Arthur Freiherr von
[1853-1932]. 1897. Dreifarben Photographie. German (Halle,
Germany). {photography}.
English translation by Henri Oscar Klein, Three-color photography:
three-colour printing and the production of photographic pigments pictures in
natural colours (London: A. W. Penrose & Co., 1904).
PRANG, Louis. 1897. The Prang
standard of colors. English (Boston, Massachusetts, USA: Prang).
SCHRÖDER, S. 1897. Die
Farben-Harmonie in der damentoilette. German (Vienna, Austria: E. Berté und
S. Zeiger).
STEWART, C. 1897. Guide to the
colors of postage stamps. English (St. Louis, Missouri, USA).
GARBASSO, A. 1898. Lezioni
sperimentali sulla luce, considerata come fenomeno elettromagnetico. Italian (Milan, Italy:
Hoepli).
LANE, Wilmot Burkemar. 1898.
Space threshold of colour and its dependence on contrast phenomena. English
(Toronto, Canada: The University Library).
MIERZINSKI, S. 1898. Handbuch der
Farben-Fabrikation. German (Leipzig, Germany).
NEWBIGIN, Marion Isabel. 1898.
Colour in nature, a study in biology. English (London, England: Murray).
PRATT, Alice Edwards. 1898.
The use of color in the verse of the English romantic poets. English
(Chicago, USA: The University of Chicago Press).
ROUX DE VALDONNE, Paul de. 1898.
Recherches sur la perspective des couleurs dans la nature et son application
dans les oeuvres des maîtres des diverses écoles depuis le XIVe siècle jusqu’au
XVIIIe. French (Paris, France: H. Flaury).
CLERC, L.-P. 1899. La
photographie des couleurs. French (Paris, France). {photography}.
DUCOS DU HAURON, Gaston. 1899. La
photographie indirecte des couleurs. French (Paris, France). {photography}.
OTT, André G. 1899. Étude sur
les terms de couleurs en vieux français. French (Paris, France: E.
Bouillon).
SIGNAC, Paul [1863-1935]. 1899.
D’Eugène Delacroix au néo-impressionisme. French (Paris, France). New ed.
1921. New ed. arranged by F. Cachin (Paris: Hermann, 1964). {painting,
arts}.
Italian translation, Da Delacroix al neo-impressionismo (Naples,
Italy, 1979).
Spanish translation by Julio E. Payró, De Eugenio Delacroix al
neoimpresionismo (Buenos Aires: Poseidón, 1943).
WARHURST, B. W. 1899. A colour
dictionary with about two hundred names of colours used in printing, etc.,
specially prepared for stamp collector. English (London, England).
{terminology, dictionary}.
BACON, J. [1876-1931]. 1900
(after). The theory of colouring: being an analysis of the principles of
contrast and harmony, in the arrangement of colours, with their application to
the study of nature and hints on the composition of pictures. English
(London, England: George Rowney & Co., Treatises on the Fine Arts Nr. 23).
24th ed. 1925. {aesthetics, harmony}.
Dutch translation by I. van Nes, Kleurenleer,
harmonie, contrasts en mengen der kleure (Antwerp, Belgium: Maeyen, 1942).
CHURCH, Arthur Herbert
[1834-1915]. 1900. Chemistry of paints and painting. English (London,
England). {applied chemistry, paints}.
CROSS, Anson Kent [1862-?]. 1900.
Color study, a manual for teachers and students. English (Boston,
Massachusetts, USA: Ginn & Co.).
DUCOS DU HAURON, Alcide. 1900 (circa).
La photographie des couleurs et les découvertes de Louis Ducos du Hauron.
French (Paris, France). {photography}.
FAVRE, Louis [1868-?]. 1900. La
musique des couleurs et les musiques de l’avenir. French (Paris, France:
Schleicher fréres).
GARÇON, Jules. 1900 (circa).
Répertoire général ou dictionnaire de bibliographie des industries tinctoriales
des industries & anexes depuis les origines jusqu’a la fin de l’anne 1896.
French
(Paris, France: Gauthier-Villars). {dyeing, bibliography}.
HURST, George Henry. 1900.
Colour, a handbook of the theory of colour. English (London, England:
Greenwood & Co.). {general, arts}.
LESCLUZE, G. De. 1900. Les secrets
du coloris relevés par l’étude comparée du spectre et de l’échelle harmonique
sonore. French (France: J. de Maester).
PATERSON, David [?-1927]. 1900.
The science of colour mixing a manual intended for the use of dyers, calico
printers and colour chemists. English (London, England: Scott, Greenwood
& Co.). {applied chemistry, dyeing}.
SEIDLITZ, Woldemar von. 1900. Über
Farbengebung. German (Stuttgart, Germany: W. Spemann).
SHELDON, Frederick Martin. 1900.
The practical colorist; a pathfinder for the artist printer. English
(Burlington, Vermont, USA: The Owl Press).
BERGET, A. 1901. La
photographie des couleurs par la méthode interferentielle de M. Lippmann.
French (Paris, France). {photography}.
EAVES, A. Osborne. 1901. The
color cure. English (London, England: Philip Welby). {chromotherapy}.
HURST, George Henry. 1901.
Painter’s colours, oils, and varnishes, a practical manual. English
(London, England). {painting}.
LOEWENTHAL, Wilhelm M. 1901. Die
slavischen Farbenbezeichnungen. German (Leipzig, Germany: A. Preis).
PATERSON, David [?-1927]. 1901.
Colour matching on textiles: a manual intended for the use of dyers, calico
printers and colour chemists. English (London, England: Scott, Greenwood
& Co.). {dyeing, textiles}.
RAEHLMANN, Eduard. 1901.
Über Farbsehen und Malerei. German (Munich, Germany: E. Reinhardt).
BERSCH, J. 1902. Lexicon der Farben
Technik. German (Leipzig, Germany).
GLOTH, Walter. 1902. Das Spiel von
den sieben Farben. German (Kaliningrad, Russia: Gräfe & Unzer).
PERRET, Auguste [1874-1954].
1902. Couleurs minérales. French (Paris, France).
WARD, James. 1902-1903. Colour
harmony and contrast for the use of art students, designers and decorators.
English (London, England: Chapman & Hall). {aesthetics, harmony}.
WILLMS, Johannes E. 1902. Eine
Untersuchung über den Gebrauch der Farbenbezeichnungen in der Poesie
Altenglands. German (Mu (Nich, Germany: J. Krick).
WOOD, Francis A. 1902.
Color-names and their congeners: a semasiological investigation. English
(Halle, Germany: Max Niemeyer). {philology, terminology}.
COZANET, Albert (pseudonym, Jean
d’Udine). 1903. L’orchestration des couleurs, analyse, classification et
synthèse mathématiques des sensations colorées. French (Paris, France).
JODIN, André. 1903. Etude
comparative sur les noms des couleurs. French (Paris, France:
Chevalier-Marescq).
MAYER, Arthur. 1903.
Uber die Abhängigkeit der Farbenschwellen von der Adaptation. German
(Freiburg, Germany: Speyer & Kaener).
VAN HELDEN, Caroline. 1903. A
note on color for teachers of elementary schools. English (Springfield,
Massachusetts, USA: M. Bradley & Co.).
VANDERPOEL, Emily Noyes [1842-1939]. 1903. Color
problems: a practical manual for the lay student of color. English (New
York, USA: Longmans, Green & Co.).
VIDAL, L. 1903. Traité de
photochromie. French (Paris, France).
CLIFFORD, Chandler Robbins
[1858-1935]. 1904. The philosophy of color. English (New York, USA:
Clifford & Lawton).
KÖNIG, Ernst. 1904. Die
Farben-Photographie; eine gemeinverständ Darstellung der verschiedenen
Verfahren nedst Anleitung zu ihrer Ausführung, Photographische Bibliotek vol.
19. German (Berlin, Germany: Schmidt). 2nd ed. 1906. {photography}.
English translation by E. J.
Wall, Natural-color photography (London: Dawbarn & Ward, Ltd.).
NAGEL, Willibald [1870-1911], ed. 1904.
Die Physiologie der Sinne, III. German (Brunswick, Germany: Vieweg).
{vision}.
OSTWALD, Friedrich Wilhelm
[1853-1932]. 1904. Malerbriefe. German (Leipzig, Germany: Hirzel). {general, optics,
applied chemistry, painting}.
English translation by A. W. Morse, Letters to a painter on the
theory and practice of painting (New York: Ginn & Co., 1906).
SCHULTZ, Wolfgang [1881-1936]. 1904.
Das Farbenempfindungssystem der Hellenen. Mit drei farbigen Tafeln und Figuren
im Text. German (Leipzig, Germany: Johann Ambrosius Barth). 7th ed. (Leipzig:
Akad Verlagsgesellschaft, 1931).
WIETHE, A. C. H. E. 1904. Dreifarbenphotographie
nach der Natur, nach dem photochemischen Laboratorium der technischen
Hochschule zu Berlin angewandten methoden. German
(Halle, Germany: Wilhelm Knapp). 4th ed. 1921. {photography}.
WILEY, W. 1904. Influence of
artificial colours on digestion and healt. English (Washington DC, USA).
BAIRD, J. W. 1905. The color
sensitivity of the peripheral retina. English (Washington DC, USA: Carnegie
Institution). {vision, retina}.
CORNELISON, R. W. 1905. Light,
color, and color harmony. English (Bloomfield, New Jersey, USA: H. B.
Wiggin’s Sons).
LICHTWARK, Alfred. 1905. Die
erziehung der farbensinnes, 3rd ed. German (Berlin, Germany).
LOVIBOND, Joseph W. 1905. An
introduction to the study of colour phenomena. English (London, England: E.
& F. N. Spon, Ltd.).
MUNSELL, Albert Henry [1858-1918]. 1905. A color
notation. An illustrated system defining all colors and their relations by
measured scales of hue, value, and chroma. English (Boston, Massachusetts,
USA: Ellis). 2nd ed. 1907. 3rd ed. 1913. 4th ed. 1916. 5th ed. and ff
(Baltimore, Maryland: Munsell Color Company). 5th ed. 1923. 9th ed. 1941. 10th
ed. 1947. 11th ed. 1961. 15th ed. 1988. {order systems}.
OBERTHUR, René, and Henri
DAUTENAY. 1905. Répertoire de couleurs pour aider à la détermination de
fleurs, de feuillages et de fruits. French (Paris, France: Société
Française des Chrysanthémistes).
WICKERLIN, Jean-Baptiste. 1905. Le
drap <escarlate> au Moyen-âge. Essai sur l’etymologie et la signification
du mot écarlate et notes techniques sur la fabrication de ce drap de laine au
Moyen-âge. French (Lyon, France).
WOOD, Robert Williams
[1868-1955]. 1905. Physical optics. English (USA). 3rd ed. (New York:
MacMillan, 1934).
BRASS, A. 1906. Untersuchungen über
das Licht und die Farbe. German.
CÉZANNE, Paul [1839-1906]. 1906 (before).
[Letters]. French (Aix-en-Provence, Paris, France: manuscript). {arts,
painting}.
English translation by Marguerite Kay, Paul Cézanne, Letters
(Oxford, England: Bruno Cassirer).
FRANKAU, Julia Davis. 1906.
Eighteenth century colour prints: an essay on certain stipple engravers &
their work in colour. English (London, England: MacMilton & Co.).
GENTELE, J. G. 1906. Lehrbuch der
Farbenfabrikation. German (Brunswick, Germany).
HARDIE, Martin. 1906. English
coloured books. English (London, England: The Connoisseur’s Library).
JORGENSEN, C. J. 1906. The mastery of color. English (Milwaukee,
Wisconsin, USA: The author).
LEHMANN, Hans. 1906. Beitrage zur
Theorie und Praxis der direkten Farbenphotographie mittels stehender
Lichtwellen Lippmanns Methode. German (Freiburg im Breisgau, Germany:
Graph. Lehr). {photography}.
OHRT, P., ed. 1906. Germania
Farbtafeln für Postwertzeichen Sammler. German (Düsseldorf, Germany).
PREVIATI, Gaetano [1852-1920]. 1906.
I principi scientifici del divisionismo. Italian (Turin, Italy: Fratelli
Bocca). New ed. 1929.
Spanish translation, La técnica de la pintura y el divisionismo
(Buenos Aires: Argos).
SALA FRANCÉS, Emilio [1847-1910]. 1906. Gramática del color. Spanish. New ed. (Zaragoza,
Spain: Librería General, 1944). New ed. (Valencia, Spain: Diputación de
Valencia, Institución Alfonso El Magnánimo, 1999). {physiology, aesthetics,
harmony}.
BAKER, Thomas T. 1907. The
spectroscope: its uses in general analytic chemistry. English (London,
England: Baillière). {spectroscopy, chemistry}.
BARBER, Frank Louis [1877-?].
1907. Binary combinations of tints and shades among themselves and with one
another. English (Toronto, Canada: University of Toronto, Psychological
Series vol. II Nr. 4).
CALMELS, H., and L.-P. CLERC.
1907. La reproduction photographique des couleurs. French (Paris,
France). {photography}.
CLIFFORD, Chandler Robbins
[1858-1935]. 1907. Color value. English (New York, USA: Clifford &
Lawton).
GOLDBERG, E. 1907.
Farbenphotographie und Farbendruck. German (Leipzig, Germany).
{photography}.
GUSSOW, C. 1907. Maltechnische
Winke und Erfahrungen. German (Munich, Germany: E. Reinhardt).
HEINE, Leopold [1870-?], and Lenz
JENA. 1907. Über Farbensehen, besonders der Kunstmaler. German (Germany:
A. Hartleben).
MUNSELL, Albert Henry [1858-1918]. 1907. Atlas of the
Munsell Color System [a portfolio with 8 charts]. English (Malden,
Massachusetts, USA: Wadsworth, Howland). New ed. with 15 charts, 1915. {order
systems, atlas}.
ROSMANIT, J. 1907. Anleitung zur
Feststellung der Farben. German (Vienna, Austria: Fr. Deuticke).
ROSMANIT, J. 1907. Zur
Farbsinnprüfung im Eisenbahn- und Marinedienste. German
(Vienna, Austria: Wilhelm Braumüller).
DIX, David S. 1908.
Complementarism, physical and psychical. English (Toronto, Canada: The
University Library).
FORMANEK, J. 1908. Untersuchung and
Nachweiss organischer Farbstoffe auf specktropischen Wege. German (Berlin,
Germany: Springer).
HOLME, Charles. 1908. Colour
photography and other recent developments of the art of the camera. English
(London, England). {photography}.
JEKYLL, G. 1908. Colour schemes for the
flower garden. English (London, England: Country Life). {gardening}.
KLINCKSIECK, Paul, and Th.
VALETTE. 1908. Code des couleurs. French (Paris, France).
TAYLOR, E. J. 1908.
Colour-sense training and colour using. English (London, England: Blackie
& Sons). New ed. (Philadelphia, Pennsylvania: David Mc Kay Co., 1927).
UTITZ, Emil [1883-?]. 1908.
Grundzüge der ästhetischen Farbenlehre. German (Stuttgart, Germany:
Ferdinand Enke).
ZERR, G., and R. RÜBENCAMP. 1908
(before). [German title not available]. German.
English translation by C. Maer, A treatise on colour manufacture
(London, England, 1908).
EASTMAN KODAK. 1909. The
photography of coloured objects. English (Rochester, New York, USA: Eastman
Kodak). New ed. 1935. {photography}.
FOX DAVIES, Arthur Charles. 1909.
Complete guide to heraldry. English (London, England: T. Nelson & Sons).
NAUMANN, Friedrich [1860-1919]. 1909.
Form und Farbe. German (Berlin, Germany: Buchverlag den HILFE).
SALAMAN, Malcom Charles
[1855-1940]. 1909. Old English colour prints, edited by Charles Holme.
English (London, England; Paris, France; New York, USA: Offices of The Studio).
THAYER, Gerald Handerson
[1863-?]. 1909. Concealing coloration in the animal kingdom; an exposition
of the laws of disguise through color and pattern: being a summary of Abbot H.
Thayer’s discoveries. English (New York, USA: MacMillan & Co.).
BABBITT, Irving [1865-1933].
1910. The new Laokoon: an essay on the confusion of the arts. English
(Boston, Massachusetts, USA: Houghton Mifflin).
BURCH, R. M. 1910. Colour
printing and colour printers; with a chapter on modern processes by W. Gamble,
2nd ed. English (London, England: Pitman). {reproduction devices, printing
industry}.
CHURCHWARD, Albert. 1910. The
signs and symbols of primordial man. English (London, England: Swan
Sonnenschein & Co.). 2nd ed. (New York: Dutton, 1923).
GEIGEL, Robert. 1910. Licht und
Farbe. German (Leipzig, Germany).
LAURIE, Arthur Pillans
[1861-1949]. 1910. Greek and Roman methods of painting. English
(Cambridge, England). {painting}.
SANFORD, John Ithiel. 1910.
Sanford’s manual of color. English (New York, USA: Hugh Kelly & Co.).
ANDREWS, Emory Cobb. 1911.
Color and its applications to printing. English (Chicago, USA: The Inland
Printer Co.). {printing industry}.
BENDER, Edwald. 1911. Über farbige
Komposition; ein Beitrag zur Erkenntnis und Geschichte der Farbegebung.
German (Eberswalde, Germany: A. Arendt).
DUVEEN, Edward J. 1911. Colour
in the home; with notes on architecture, sculpture, painting, and upon
decoration and good taste. English (London, England: Allen & Co.). {interior
design}.
KATZ, David [1884-1953]. 1911. Die
Erscheinungsweisen der Farben und ihre Beeinflussung durch die individuelle
Erfahrung. German (Leipzig, Germany). 2nd ed. with the title Der Aufbau
der Farbwelt (Leipzig: Johann Ambrosius Barth, 1930). {psychology, color
perception}.
English translation by R. B. MacLeod and C. W. Fox, The world of
color (London: Kegan, Paul, Trench, Trubner & Co., 1935). Reprinted
(New York: Johnson Reprint Corporation, 1970).
LEWIS, Charles Thomas Couriney
[1856-?]. 1911. The picture printer of the nineteenth century George Baxter,
1864-1967. English (London, England: S. Low, Marston & Co.).
PLEHN, Anna L. [1859-?]. 1911.
Farbensymmetrie und farbenwechsel; prinzipien deutscher und italienischer
farbenverteilung. German (Strasbourg, France: J. H. E. Heitz).
BAUMANN, P., and O. PRASE. 1912.
Baumann-Prase Farbenkarte. German (Leipzig, Germany: Unesma). {charts}.
BEAUMONT, Roberts. 1912.
Colour in woven design, being a treatise on the science and technology of
textile colouring (woollen, worsted, cotton and silk materials), 2nd ed.
English (London, England: Whittaker & Co.). {dyeing, textiles}.
GRÜNEWALD, Maria. 1912. Das Kolorit
in der venezianischen malerei. German (Berlin, Germany: Bruno Cassirer).
GUTTMANN, Alfred. 1912. Die
Wirklichkeit und ihr künstlerisches Abbild. German (Berlin, Germany: Paul
Cassirer).
KANDINSKY, Wassily [1866-1944]. 1912.
Über das Geistige in der Kunst. German (Munich, Germany: R. Piper). New ed. with an
introduction by Max Bill (Bern: Benteli, 1965). New ed. (Bern: Benteli, 1970). {arts}.
English translation by Michael T. H. Sadleir, The art of spiritual
harmony (London: Constable, 1914). Retranslation by F.Golffing, M.Harrison
and F.Ostertag, Concerning the spiritual in art (New York: Wittenborn,
Schultz, 1947). New ed. (New York: Dover, 1977).
Italian translation, Lo espirituale nell’arte (Milan: De
Donato, 1968).
French translation by P. Volvoudt, Du spirituel dans l’art et dans la
peinture en particulier (Paris: Denoël/Gonthier, 1976). New ed. 1989.
Portuguese translation, Do espiritual na arte (Sao Paulo, Brazil:
Martins Fontes, 1990).
Spanish translation, De lo espiritual en el arte (Labor, 1972). Spanish translation by
Ester Sanares (Madrid: Alianza, 1982). New ed. (Barcelona: Barral, 1983). Spanish
translation by Genoveva Dieterich (Barcelona: Paidós, 1996). Spanish
translation by Meliana Trento, Sobre lo espiritual en el arte (Buenos
Aires: NEED, 1997).
Swedish translation by Ulf
Linde and Sonja Martinsson, Om det andliga i konsten (Gothenburg: Vinga
Press, Konstakademiens Skriftserie 1).
KÖLLNER, Hans. 1912. Die Störungen
des Farbensinnes, ihre klinische Bedeutung und ihre Diagnose. German
(Berlin, Germany: Karger).
MOREAU-VAUTHIER, Charles. 1912.
The technique of painting, with a preface by Etienne Dinet. English
(London, England: W. Heinemann). New ed. (New York, G. P. Putnam’s Sons, 1928).
RAMÓN Y CAJAL, Santiago [1852-1934].
1912. La fotografía de los colores. Bases científicas y reglas prácticas.
Spanish
(Madrid, Spain). New eds. (Madrid: Clan, 1994, 1999). {photography}.
RIDGWAY, Robert [1850-1929].
1912. Color standards and color nomenclature. English (Washington DC,
USA: The author). {charts, terminology}.
RIMINGTON, Alexander Wallace.
1912. Colour-music, the art of mobile colour. English (London, England:
Hutchinson & Co.).
ROSS, Denman Waldo [1853-1935].
1912. On drawing and painting. English (Boston, Massachusetts, USA:
Houghton Mifflin).
VALENTA, Eduard. 1912. Die
photographie in natürlichen Farben mit besondered berücksichtigung des
Lippmannschen verfahrens sowie jener methoden, welchebei einmaliger belichtung
ein bild in farben liefern, 2nd ed. German (Halle, Germany: Wilhelm Knapp).
{photography}.
WAHL, André. 1912. L’industrie des matiéres
colorantes organiques. French (Paris, France).
ABNEY, William de Wiveleslie
[1844-1920]. 1913. Researches in colour vision and the trichromatic theory.
English (London, England: Longmans, Green & Co.). {physiology, vision}.
BROWN, Bolton. 1913. The
painter’s palette and how to master it. English (New York, USA: Baker &
Taylor).
CRACE, John Dibblee [1838-1919].
1913. The art of colour decoration; being an explanation of the purposes to
be kept in view and the means of attaining them. English (London, England:
B. T. Batsford; New York, USA: Scribner’s Sons). {interior design}.
HARRISON, Jane Ellen. 1913.
Ancient art and ritual. English (New York, USA: Henry Holt & Co.).
HATT, Joseph Arthur Henry
[1861-?]. 1913. The
colorist, designed to correct the commonly held theory that red, yellow, and
blue are the primary colors, and to supply the much needed easy method of
determinating color harmony; togheter with a system of color nomenclature and
other practical information for artists and workers or designers in color, 2nd revised ed. English (New York, USA: Van Nostrand). 3rd
ed. 1925.
HELMUTH, Charles. 1913.
Helmuth’s primary color combination chart. English (New York, USA: Kast
& Khinger).
LINKO, Friedrich, and Emil ADAM. 1913.
Die Malerfarben, mal und bidemittel, und ihre Verwendung in dor Maltechnik.
German (Esslingen am Neckar, Germany).
MUNSELL, Albert Henry [1858-1918]. 1913. Color
balance, illustrated. English (Boston, Massachusetts, USA: The author).
{aesthetics, harmony}.
ROSENSTIEHL, M. Auguste
[1839-1916]. 1913. Traité de la couleur au point de vue physique,
physiologique et esthétique. Comprenant l’exposé de l’état actuel
de la question de l’harmonie des couleurs. French (Paris, France: Dunod et
Pinat). 2nd ed. updated by Julie Beaudeneau (Paris: Dunod, 1934). {general,
harmony}
COLVILLE, W. W. J. 1914. Light
and color. English (New York, USA: Macoy).
LAURIE, Arthur Pillans
[1861-1949]. 1914. The pigments and mediums of the old masters. English
(London, England: MacMillan & Co.). New ed. 1949. {painting}.
LOUMYER, Guy. 1914. Les traditions
techniques de la peinture médiévale. French (Brussels, Belgium: G. Van
Oest & Cie.). New ed. (Liège, Belgium: Dynamo, 1943).
THOMPSON, Silvanus P. 1914.
Radiations visibles et invisibles. French (Paris, France: Hermann et F.).
WARD, James. 1914. Colour
decoration of architecture, treating on colour and decoration of the interiors
and exteriors of buildings, with historical notices of the art and practice of
colour decoration in Italy, France, Germany: and England. English (New
York, USA: Dutton). {architecture, interior design}.
ADAMS, Rayne. 1915. The use of
color in home decoration with notes on one-color effects for the living room.
English (New York, USA: Butterick). {interior design}.
CARPENTER, Henry Barrett
[1861-1930]. 1915. Colour: a manual of its theory and practice. English
(London, England: B. T. Batsford). 3rd. ed. 1933.
CARPENTER, Henry Barrett
[1861-1930]. 1915. Suggestions for the study of colour. English
(Rochdale, Lancashire, England: H. B. Carpenter). 2nd ed. 1923.
LOVIBOND, Joseph W. 1915.
Light and colour theories and their relation to light and colour
standarization. English (London, England: X. & Y. N. Spon).
LUCKIESH, Matthew [1883-?]. 1915.
Color and its applications. English (New York, USA: Van Nostrand). 2nd
revised ed. with the addition of a new chapter, 1921.
MALEVICH, Kazimir Severinovich
[1878-1935]. 1915-1926 (inter). [Texts on color and light]. Russian (Russia).
{arts}.
French posthumous edition, La lumière et la couleur: textes de 1915 à
1926 (Lausanne, Switzerland, 1981). New French ed. translated from the
Russian by Jean-Claude Marcandé and Sylviane Siger, with a preface by
Jean-Claude Marcandé (Paris, France: L’Age d’Homme, 1993).
MITRI, A. de. 1915. La fabricazione
delle materie coloranti. Italian (Turin, Italy).
PARSONS, John Herbert. 1915.
An introduction to the study of colour vision. English (Cambridge, England:
Cambridge University Press). 2nd ed. 1924. {perception, vision}.
PATERSON, David [?-1927]. 1915.
Textile colour mixing. English (London, England).
PHILLIPPS, Lisle March. 1915.
Form and colour. English (London, England: Duckworth).
UNDERWOOD, N., and T. V.
SULLIVAN. 1915. The chemistry and technology of printing inks. English
(New York, USA).
FORICHON, F. 1916. La couleur,
ses manifestations, son rôle dans les arts, ses harmonies; manuel du coloriste.
French (Paris, France).
GANSWINDT, A. 1916. Die
Gerb und Farb-Extracte. German (Leipzig, Germany).
HIGGINS, S. H. 1916. Dyeing in
Germany: and America, 2nd ed. English (Manchester, England). {dyeing}.
HUFFEL, E. G. Van. 1916.
Coloritto, bijdrage tot de geschiedenis van de kunat... met een, herdrek van
het boekje van J. C. Le Blon. Dutch (Amsterdam, The Netherlands).
IRWIN, Beatrice. 1916. The new
science of colour. English (London, England: Rider & Sons).
LUCKEY, Bertha M. 1916. The
specific brightness of colors. English (Lincoln, Nebraska, USA: The
University of Nebraska).
MACH, Ernst [1838-1916]. 1916. Die
Prinzipien der physikalischen Optik. German. Posthumous edition
(Leipzig: Johann Ambrosius Barth, 1921).
English translation by John S. Anderson and A. F. A. Young, The
principles of physical optics (New York: Dover, 1926).
MAIRET, E. M. 1916. A book on
vegetable dyeing. English (London, England). {dyeing}.
MARATTA, H. G. 1916. The
Maratta scales of artists’ oil pigments. English (New York, USA).
NAMIAS, Rodolfo. 1916. La
fotografia in colori, l’autocromia, ecc. Italian (Milan, Italy). {photography}.
OSTWALD, Friedrich Wilhelm
[1853-1932]. 1916. Die Farbenfibel. German (Leipzig, Germany: Unesma). 7th ed. 1922. New ed.
1924. A total of 15 editions until 1931.
English version edited by Faber Birren, The color primer; a basic
treatise on the color system of Wilhelm Ostwald (New York: Van Nostrand
Reinhold, 1969).
ROSE, F. 1916. Die Mineralfarben.
German (Berlin, Germany).
SPELTZ, Alexander. 1916. The
coloured ornament of all historical styles. English
(Leipzig, Germany).
BLAAUW, A. H. 1917. De tropische
natuur in schetsen en kleuren. Dutch (Amsterdam, The Netherlands: Koloniaal Instituut).
BOUASSE, H. 1917. Vision et
reproduction des formes et des couleurs. French (Paris, France).
HURST, George Henry. 1917. A
dictionary of chemical and raw products used in the manufacture of paints,
colours, varnishes and allied preparations. English (London, England).
{applied chemistry, paints, dictionary}.
ISHIHARA, Shinobu [1879-1963].
1917. Tests for colour blindness. English (Tokyo, Japan: Handaya). 7th
ed. (Tokyo: Kanahara, 1936). 10th revised ed. (Tokyo: Nippon Isho, 1951). 11th
ed. 1954. New ed. (Tokyo: Kanehara, 1969). New ed. 1973. New ed. with 24
plates, 1989. New ed. 1992. {vision, color vision defects}.
OSTWALD, Friedrich Wilhelm
[1853-1932]. 1917. Der Farbenatlas. German (Leipzig, Germany: Unesma). {order systems,
atlas}.
BOLL, F. 1918. Antike Beobachtungen
farbiger Sterne. German (Germany: Abhandlungen der königliche Bayerische
Akademie der Wissenschaften, Philosophische, Philologische und Historische
Klasse, XXX, I).
CRAIG, Katherine Taylor. 1918.
The fabric of dreams. English (New York, USA: Dutton), New ed. (London:
Paul, Trench, Trubner & Co., 1920).
GUERLIN, Henri [1867-?]. 1918.
L’art enseigné par les mâitres. La couleur; choix de textes précédés d’une
étude par Henri Guerlin. French (Paris, France: H. Laurens).
HOPE, William Henry St. John
[1854-?], and Edward G. Cuthbert F. ATCHLEY. 1918. English liturgical
colours. English (London, England: Society for Promoting Christian
Knowledge). {religion, liturgy}.
LUCKIESH, Matthew [1883-?]. 1918.
The language of colors. English (New York, USA: Dodd, Mead & Co.). New
ed. (New York: ISCC, 1920).
OSTWALD, Friedrich Wilhelm
[1853-1932]. 1918. Die Farbenlehre, I: Mathetische Farbenlehere. German
(Leipzig, Germany: Unesma). New ed. 1923.
English translation by J. Scott Taylor, Colour science, a handbook for advanced students in
schools, colleges and the various arts, crafts and industries depending on the
use of colour, 2 vols. Vol. 1, Colour
theory and colour standardisation. Vol. 2, Applied colour science (London: Winsor &
Newton, 1931-1933).
OSTWALD, Friedrich Wilhelm
[1853-1932]. 1918. Goethe, Schopenhauer und die Farbenlehre. German
(Leipzig, Germany: Unesma).
OSTWALD, Friedrich Wilhelm
[1853-1932]. 1919. Die Farbenlehre, II: Physikalische Farbenlehere.
German (Leipzig, Germany: Unesma). 2nd ed. 1923.
OVIO, Giuseppe. 1918.
L’ottica di Euclide. Italian (Milan, Italy: Hoepli). {optics}.
PERKIN, A. G., and A. E. EVEREST.
1918. The natural organic coloring matters. English (London, England:
Longmans, Green & Co.).
SNOW, Bonnie E., and Hugo B.
FROEHLICH. 1918. The theory and practice of color. English (New York,
USA: Prang).
WEINBERG, Louis [1885-?]. 1918.
Color in everyday life; a manual for lay students, artisans and artists; the
principles of color combination and color arrangement, and their applications
in dress, home, business, the theatre and community play. English (New
York, USA: Moffat, Yard, & Co.).
WILDER, Louise Beede. 1918.
Colour in my garden. English (Garden City, New York, USA: Doubleday, Page
& Co.). {gardening}.
FROHNE, Henry W., Alice F.
JACKSON, and Bettina JACKSON. 1919. Color schemes for the home and model
interiors. English (Philadelphia, Pennsylvania, USA: Lippincott; Grand
Rapids, Michigan, USA: The Dean-Hicks Company).
OSTWALD, Friedrich Wilhelm
[1853-1932]. 1919. Der Farbkörper und seine Anwendung zur Herstellung
farbiger Harmonien. German (Leipzig, Germany: Unesma). 2nd revised ed., 1926.
OSTWALD, Friedrich Wilhelm
[1853-1932]. 1919. Die Farbschule. German (Leipzig, Germany: Unesma).
OSTWALD, Friedrich Wilhelm
[1853-1932]. 1919. Einführung in die Farbenlehre. German (Leipzig,
Germany: Unesma).
PETERSEN, P. 1919. Goethe und
Aristoteles. German (Berlin, Germany).
RICCIARDI, Achille. 1919. Il teatro
del colore. Estetica del dopoguerra. Italian (Milan, Italy: Facchi).
ROSS, Denman Waldo [1853-1935].
1919. The painter’s palette; a theory of tone relations, an instrument of
expression. English (Boston, Massachusetts, USA: Houghton Mifflin).
VERANI, Giovanni. 1919.
Combinazione ed armonia dei colori. Note tecniche per gli allievi impressori
tipografi. Italian (Milan, Italy: Stabilimento per le Arti Grafiche Alfieri
& Lacroix).
EDRIDGE-GREEN, Frederick William.
1920. The physiology of vision, with special reference to colour blindness.
English (London, England: Bell & Sons). {vision, color vision defects}.
GERARD, Gaston. 1920. Mélanges
et associations de couleurs. French (Paris, France: S. Borneman).
GREEN, A. G. 1920. The
analysis of dyestuffs, 3rd ed. English (London, England). {applied
chemistry, colorants}.
HEIN, Alois Raimund [1852-?]. 1920.
Kurzgefasster, praktischer Abrisa der Farbenlehre. Für Zeichner, Laler un
Kunsthandwerker und für den Schulgebrauch. German (Vienna, Austria: Walter
de Gruyter).
JAMES, H. Francis, and Edna G.
BENSON. 1920. Color tablet; practical problems in applied color. English
(Milwaukee, Wisconsin, USA: The Bruce Publishing Co.).
MATTHEWS, J. M. 1920.
Application of dyestuffs to textiles, paper, etc. English (New York, USA). {dyes}.
OSTWALD, Friedrich Wilhelm
[1853-1932]. 1920. Der Farbnormenatlas. German (Leipzig, Germany:
Unesma). {order
systems, atlas}.
WIEDMER, Heinrich. 1920. Kritische
und experimentelle Studien über die Pigmentierung des integuments mit
besonderer Berücksichtigung ihres Zusammenhanges mit der Wiederstandskraft und
der Leistung unserer Haustiere. German (Säckingen am Rhein, Germany: G.
Mehr).
BERNSTEIN, Martha. 1921. Die
Schoenheit der Farbe in der Kunst und im täglichen Leben. German (Munich,
Germany: Delphin).
English translation by R. Granger Watkin, Colour in art and daily
life (New York: R. M. McBride & Co., 1928).
CLELAND, Thomas Maitland
[1880-1964]. 1921. A practical description of the Munsell color system, with
suggestions for its use. English (Boston, Massachusetts, USA: Munsell Color
Company). {order systems}.
CONROY, Ellen. 1921. The symbolism
of colour. English (London, England: Rider & Sons).
ENGELHARDT, Rudolf A [1886-?]. 1921.
Der Farbenreiz im Druckwerk; ein Ratgeber für alle, die im graphischen Gewerbe
farbig schaffen. Zugleich Versuch einer Systematik der Farbnharmonie und der
Werbekraft der Farben, 2nd ed. German (Leipzig, Germany: J. Mäser).
LAUBE, Eizens [1880-?]. 1921.
Kràsu un formu logika (Riga,
Latvia: Ekonomists).
MUNSELL, Albert Henry
[1858-1918], and Thomas Maitland CLELAND [1880-1964]. 1921. A grammar of
color. English (Mittineague, Massachusetts, USA: Strathmore Paper Company).
New ed. annotated by Faber Birren (New York: Van Nostrand Reinhold, 1969).
{harmony, order systems}.
OSTWALD, Friedrich Wilhelm
[1853-1932]. 1921. Die Grundlagen der messenden Farbenlehre. German
(Leipzig, Germany: Johann Ambrosius Barth).
RORSCHACH, Hermann [1884-1922]. 1921.
Psychodiagnostik. German (Bern, Switzerland: Hans Hubert). {psychology}.
English translation, Psychodiagnostics. A diagnostic test based on
perception (Bern, Switzerland: Hans Hubert, 1942).
Italian translation, Psicodiagnostica (Rome: Kappa,
1981).
Spanish translation, Psicodiagnóstico
(Buenos Aires: Paidós, 1972).
STEINER, Rudolf [1861-1925]. 1921.
Das Wesen der Farben. German (Dornach, Switzerland). New ed. (Stuttgart,
Germany, 1959). New ed. (Dornach, Switzerland: Rudolf Steiner
Verlag, 1973). {philosophy, arts, aesthetics}.
English translation, Colour: three lectures given in Dornach, 6th to
8th May, 1921, with extracts from his note-books (London: Rudolf Steiner
Press, 1970). New ed. 1996.
French translation by Henriette Bideau, Nature des couleurs:
conférences faites à Dornach les 6-7-8 mai 1921 et entre 1914 et 1924
(Geneva, Switzerland: Éd. Antroposophiques Romandes, 1987).
Italian translation, L’essenza dei colori: tre conferenze tenute a
Dornach il 6, 7 e 8 maggio 1921, seguite da altre nove conferenze riguardanti
l’argomento dei colori, tratte da volumi diversi e tenute negli anni dal 1914
al 1924 (Milan: Editrice Antroposofica, 1977).
AUDSLEY, George Ashdown [1838-?].
1922. Colour harmony in dress. English (New York, USA: R. M. McBride
& Co.). {dress, fashion, aesthetics}.
BÜHLER, Karl [1879-1963]. 1922. Die
Struktur der Wahrnehmungen, vol. 1 of Handbuch der Psychologie.
German (Leipzig, Germany: G. Fischer). {perception}.
CREECH, James E. 1922.
Presswork lecture “The theory of color as applied to the graphics arts”.
English (Pittsburgh, Pennsylvania, USA: Carnegie Institute of Technology).
{graphic arts}.
GIBBONS, Stanley. 1922. Colour
guide for stamp collectors. English (London, England).
LOUMYER, Guy. 1922.
L’outillage et le matériel du peintre dé l’antiquité grecque et romaine.
French (Brussels, Belgium).
LOVELL, Richard Goulburn. 1922.
Courage in colour, applied to personal attire and home surroundings; a simple
exposition based upon the balanced primaries. English (London, England: C.
Griffin & Company).
MULDER, N. E. 1922. The “Green Ray” or
“Green Flash”. English (The Hague, The Netherlands).
MULLER-BORE, Kaete. 1922.
Stilistische untersuchungen zum Farbwort und zur vermendung der farbe in der
alteren en griechischen poesie. German (Berlin, Germany: E. Ebering).
PEDDIE, W. 1922. Colour
vision. English (London, England: Arnold).
PODESTÁ, Hans. 1922. Die
Farbenlehre, IV: Physiologische Farbenlehre. German (Leipzig, Germany:
Unesma).
POPE, Arthur [1880-1974]. 1922.
Tone relations in painting. English (Cambridge, Massachusetts, USA: Harvard
University Press). New ed. 1927.
SCHUMANN, K. B. 1922. Die
Farben als Charackterisierungsmittel in den Dichtungen des Vergil und Horaz.
German (Erlangen, Germany: University of Erlangen).
WALL, Edward John. 1922.
Practical color photography. English (Boston, Massachusetts, USA: American
Photographic Publishing). {photography}.
BEARN, J. G. 1923. The
chemistry of paints, pigments, and varnishes. English (London, England).
{applied chemistry, paints}.
BOIGEY, Maurice de. 1923. La science des
couleurs et l’art du peintre, with a preface by J. F. Bouchor. French (Paris, France:
Alcan).
English translation by J. B. Hewitt, The science of colours and the
art of the painter (London: J. Bale, Sons & Danielsson, 1925).
BOWMAN, W. O. 1923. Paints and
colours: how to mix and use them. English (London, England). {paints}.
CUTLER, Carl Gordon, and Stephen
C. PEPPER. 1923. Modern color. English (Cambridge, Massachusetts, USA:
Harvard University Press).
GOODYEAR, A. A. 1923. Paint
and stain formulas. English (Carlisle, Virginia, USA).
HOUSTON, Robert A. 1923. Light
and colour. English (London, England: Longmans, Green & Co.). {general}.
ILLGNER, Franz. 1923. Der
Farbenharmonie-Sucher B in Anwendung der Farbenlehre Prof. W. Ostwald.
German (Berlin, Germany).
KING, J. L. 1923. Color mixing
guide. English (New York, USA).
LUCKIESH, Matthew [1883-?]. 1923.
Light and color in advertising and merchandising. English (New York, USA:
Van Nostrand). {advertising}.
MARTIN, L. C., and W. GAMBLE.
1923. Colour and methods of colour reproduction. English (New York,
USA).
OSTWALD, Friedrich Wilhelm
[1853-1932]. 1923. Die Harmonie der Farben. German (Leipzig, Germany:
Unesma).
OSTWALD, Friedrich Wilhelm
[1853-1932]. 1923. Farbkunde. German (Leipzig, Germany: Hirzel).
SARGENT, Walter [1868-1927].
1923. The enjoyment and use of color. English (New York, USA: Scribner’s
Sons). Republished with revisions and new material (New York: Dover, 1964).
STEVENS, Ernest J. 1923.
Light, colors, tones and nature’s finest forces. Marvelous discoveries basic
and active principles. English (San Francisco, USA: E. J. Stevens Light,
Color and Tone Research Laboratory).
THORPE, J. F., and C. K. INGOLD.
1923. Synthetic colouring matters. Vat colours. English (London,
England: Longmans, Green & Co.). {colorants}.
TRILLICH, Heinrich. 1923. Das
deutsche Farbenbuch; unter Berücksichtigung der bisherigen Vorarbeiten und
Beschlüsse als Entwurf. German (Munich, Germany: B. Heller).
WEBER, Frederick W. 1923. Artists’ pigments;
their chemical and physical properties. English (New York, USA: Van
Nostrand).
BALL, Hylda Rhodes. 1924. The
psychology & tradition of colour. English (London, England: C. W.
Daniel).
BOUARD, A. 1924. La couleur;
physique et harmonie. French (Lausanne, Switzerland: Librairie Nouvelle de
Lausanne).
CIE (Commission Internationale de
l’Éclairage) [1913-]. 1924. Compte Rendu des Séances, 6me Session,
Geneva, 1924. French, English (Paris, France: CIE). {general, lighting}.
COFFIGNIER, Ch. 1924. Couleur
et peintures. Encyclopédie de chimie industrielle. French (Paris, France:
Baillière et fils). {applied chemistry, paints}.
ENGELHARDT, Rudolf A. [1886-?]. 1924.
Farben-Klänge und Farben-Harmonien; praktische Farbenharmonielehre für das
graphische Gewerbe nebst 34 Tafeln buchgewerblicher Arbeiten nach Entwürfen des
Verfassers. German (Leipzig, Germany: J. Mäser).
GLOAG, John. 1924. Colour and
comfort. English (London, England: Duckworth).
HIGGINS, S. H. 1924. History
of bleaching. English (London, England).
JACOBS, Michel [1877-?]. 1924.
The art of colour. English (Garden City, New York, USA: Doubleday, Page
& Co.). 3rd ed. (Rumson, New Jersey: Primatic Art Co., 1948). 5th ed. 1956.
LAURENCE, Frederic. 1924.
Color in architecture. English (New York, USA: National Terracotta
Society). {architecture}.
MacDONALD-WRIGHT, Stanton
[1890-?]. 1924. A treatise on color. English (Los Angeles, USA).
Reprinted in the catalog of the exposition: The art of Stanton
MacDonald-Wright, with an introduction by David W. Scott (Washington:
Smithsonian Press, National Collection of Fine Art, 1967). {general, arts,
aesthetics, harmony}.
MILLIAR, A. 1924. Scrumbling
& colour gazing, 2nd ed. English (London, England).
MÜLLER, Georges Elias. 1924.
Darstellung und Erklärung der verschiedenen Typen der Farbenblindheit nebst
Erörterung der Funktion des Stabchenapparates sowie des Farbesinns der Biene
und der Fische. German (Göttingen, Germany: Vandenhoeck und Ruprecht). {vision}.
RINOLDI, Luigi. 1924. Estetica
scientifica delle combinazioni dei colori con speciale applicazione alle arti
industriali. Italian (Italy: Biella).
ROWE, Frederick Maurice, ed.
[?-1946]. 1924. Colour index. English (Bradford, York, England: Society
of Dyers and Colourists). Supplement, 1928. {applied chemistry, colorants}.
SOLON, Léon Victor [1872-?]. 1924. Polychromy:
architectural and structural theory and practice, with an introduction by
Ralph Adams Cram. English (New York, USA: The Architectural Record).
{architecture}.
STEVENS, Ernest J. 1924. Science
of colors and rhythm. English (San Francisco, USA: The author).
WEBER, Frederick W. 1924. The history, chemistry
and technology of artists’ colors. English (Philadelphia, Pennsylvania, USA).
ALLESCH, Gustav Johannes von [1882-?].
1925. Die ästhetische Erscheinungsweise der Farben. German (Berlin,
Germany: Springer).
BAILEY, Henry Turner, and Ethel
POOL. 1925. Symbolism for artists: creative & appreciative. English
(Worcester, Massachusetts, USA: The Davis Press). 2nd ed. 1928. {aesthetics}.
CARY, D. F. 1925. Colour
mixing and paint work, a practical manual for painters, sign writers, artists,
colourmen. English (London, England: Technical Press).
COLLINS, Mary. 1925. Colour
blindness. With a comparison of different methods of testing colour-blindness.
English (London, England: Kegan, Paul, Trench, Trubner & Co.; New York,
USA: Harcourt, Brace & Co.). {vision, color vision defects}.
JACOBS, Michel [1877-?]. 1925.
The study of color, with lessons and exercises. English (New York, USA: Van
Nostrand). 5th ed. (Rumson, New Jersey: Primatic Art Co., 1948). 6th ed. 1956.
LÁSZLÓ, Alexander. 1925.
Die Farblichtmusik. German (Leipzig, Germany: Breitkopf und Härtel).
RONCHETTI, Giuseppe [?-1925?]. 1925.
La composizione della tinte nella pittura. Italian (Milan, Italy).
THOMPSON, R. C. 1925. On the
chemistry of the ancient Assyrians. English (London, England).
TOCH, Maximilian [1864-?]. 1925.
The chemistry and technology of paints, 3rd ed. English (New York, USA).
{applied chemistry, paints}.
WALL, Edward John. 1925. The
history of three-color photography. English (Boston, Massachusetts, USA:
American Photographic Publishing). {photography}.
WUNDERLICH, E. 1925. Die Bedeutung
der roten Farbe in Kultus des Griechen und Römer, erläutert mit
Berücksichtigung entsprechende Bräuche bei anderen Völken.
Religionsgeschichtliche Versuche und Vorarbeiten XX, 1. German (Giessen,
Germany: Töpelmann).
DESHAIRS, L. 1926. Intérieurs
en couleurs. French (Paris, France). {interior design}.
HODGES, Myrtis. 1926. Life
interpreted through color. English (Holyoke, Massachusetts, USA: The
Elisabeth Towne Co.). New ed. (London: L. N. Fowler & Co.).
IONIDES, Basil. 1926. Colour
and interior decoration. English (London, England: Country Life). {interior
design}.
JENNINGS, Arthur Seimour. 1926.
Paint & colour mixing. A practical handbook for painters, decorators, paint
manufactures, artists, and all who have to mix colours, 7th ed. English
(London, England: E. & F. N. Spon, Ltd.; New York, USA: Spon &
Chamberlain).
KANDINSKY, Wassily [1866-1944]. 1926.
Punkt und Linie zu Fläche. Beitrage zur Analyse der malerischen Elemente.
German (Dessau, Germany: Bauhaus). {painting, aesthetics, harmony}.
English translation by Howard Dearstyne and Hilla Rebay, Point and
line to plane (New York: The Solomon R. Guggenheim Foundation, 1947).
Re-publication (New York: Dover, 1979).
French translation, Point-ligne-plan (Paris: Denoël, 1970).
Spanish translation, Punto y línea sobre el plano:
contribución al análisis de los elementos pictóricos (Barcelona: Barral,
1971). New
ed. 1984. New ed. (Barcelona: Paidós, 1998).
KNIGHTS, Charles C. 1926.
Colour in advertising an merchandising display. English (London, England:
Crosby Lockwood & Son). {advertising}.
LAURIE, Arthur Pillans
[1861-1949]. 1926. The painter’s methods and materials. English (London,
England). New ed. (New York: Dover, 1967). {painting}.
LUCKIESH, Matthew [1883-?], and
A. J. PACINI. 1926. Light and health. English (Baltimore, Maryland, USA:
The Williams & Wilkins Co.).
LYTHGOE, R. J. 1926.
Ilumination and visual capacities (a review of recent litterature), report of
the Committee upon Physiology of Vision, Privy Council, Medical Research
Council. English (London, England: Medical Research Council, Special Report
Series Nr. 104).
MAYER, Max, P. BONOMI DA MONTE,
and A. MIATELLO. 1926. Colori vernici e loro principali applicazioni.
Italian (Milan, Italy).
McADORY, Margaret. 1926. Color
in painting, a portfolio of eight leaflets with notes on the use of color in
the paintings wich are reproduced in direct color from the originals.
English (New York, USA: The author).
SANDER, C. G. 1926. Colour in health and
disease. English (London, England: C. W. Daniel & Co.). {health,
chromotherapy}.
WALSH, John W. T. 1926.
Photometry. English (London, England: Constable & Co.). 2nd ed. 1953.
New ed. (New York: Dover, 1965).
ARGELANDER, Annelies. 1927. Das
Farbenhören und der synästhetische Faktor der Wahrnehmung. German (Jena,
Germany: G. Fischer). {psychology, sensation, perception}.
BRITISH ENGINEERING STANDARD
ASOCIATION. 1927. Draft British standard schedule of colours for ready-mixed
paints. English (London, England).
HAACK, H. 1927.
Experimental-deskriptive Psychologie der Bewegungen, Konfigurationen und Farben
unter Verwendung der Flimmerphänomens. German (Berlin, Germany).
HIRSCHFELD, Ludwig. 1927.
Farbenlichtspiele. German (Leipzig, Germany).
LEUSCHNER. 1927. Key to color
harmony. English (Los Angeles, USA: Educational Color Research Bureau).
LEVENGOOD, Sidney L. 1927. The
use of color in the verse of the Pleiade. A dissertation presented to the
Faculty of Princeton, Paris. English (Paris, France: Presses Universitaires
de France).
MATTHAEI, Rupprecht [1895-?]. 1927.
Die Welt der Farbe. German (Bonn, Germany).
MEYER, K. 1927. Die
Bedeutung der weissen Farbe im Kultus der Griechen und Römer.
German (Freiburg im Breisgau, Germany: K. Henn).
MONCLIEFFE, Mona. 1927 (circa). The magic of colour
harmony in dress. English (Sydney, Australia: Barbergald’s, Ltd.).
OVIO, Giuseppe. 1927. La scienza
dei colori. Visione dei colori. Italian (Milan, Italy: Hoepli). Reprint
(Milan: Istituto Editoriale Cisalpino-Goliardica, 1979).
French translation, La vision des couleurs (Paris: Alcan, 1932).
ROOD, Roland [1863-1927]. 1927
(before). Color and light in painting, edited by George L. Stout.
English (New York, USA: Columbia University Press). New ed. 1941.
SARGENT, Frederick Le Roy
[1868-?]. 1927. Working system of color for students of art and nature.
English (New York, USA: Henry Holt & Co.).
WALLACE, Florence Elizabeth.
1927. Color in Homer and in ancient art, preliminary studies. English
(Northampton, Massachusetts, USA: Smith College, Classical Studies 9).
WELLING, Jane Betsey [1896-?].
1927. More color for you: color study developed by the experimental method.
English (Chicago, USA: The Abbot Educational Company).
ALMACK, Mary Ruth. 1928. A
quantitative study of chromatic adaptation. English (Princeton, New Jersey;
Albany, New York, USA: Psych. Rev. Co., PhD thesis).
BIRREN, Faber [1900-1988]. 1928.
Color in vision. English (Chicago, USA: C. V. Ritter).
BOSSERT, Helmuth Theodor
[1889-1956]. 1928. An encyclopaedia of colour decoration from the earliest
times to the middle of the XIX century, with explanatory text by Helmuth
Bossert. English (New York, USA: E. Weyhe). {interior design}.
DESBLEDS, L. Blin. 1928. Exact
color matching and specifying. French (Paris, France: Technological and
Industrial Service).
GOLDSCHMIDT, R. H. 1928. Postulat
der Farbwandelspiele. German (Heidelberg, Germany).
JANA (pseudonym). 1928.
Vibration of colour. English (Pass-a-Grille, Florida, USA).
LEWIS, Charles Thomas Couriney
[1856-?]. 1928. The story of picture printing in England: during the
Nineteenth century; or forty years of wood and stone. English (London,
England: S. Low, Marston & Co.).
LITTLEJOHNS, John [1874-?]. 1928.
The essential colour system; its use and value. English (London, England:
Winsor & Newton).
MARTINI, Herbert E. 1928. Color. English (Pelham, New
York, USA: Bridgman). 3rd ed. 1930.
MISKELLA, W. J. 1928.
Practical color simplified. English (Chicago, USA: Finishing Research
Laboratory).
RANKIN, Herbert A. 1928. Simple lessons in
colour.
English (London, England).
REISER, Oliver Leslie. 1928. The alchemy
of light and colour. English (New York, USA: Norton & Co.).
RUXTON, Philip, Inc. 1928. Ink
secrets for pressmen. English (New York, USA: Philip Ruxton, Inc.).
{printing industry, graphic arts}.
SJÖBLOM, A. 1928. Die koloristische
Entwicklung in der niederländischen Malerei des XV und XVI Jahrhunderts. German.
TOMPKINS, A. George. 1928. Pastel
for the standards. English (London, England: Pitman & Sons).
WAGNER, Günther. 1928. Die Welt der
Farben. German (Hannover, Germany: G. Wagner).
WAGNER, Hans [1887-1948]. 1928. Die
Körperfarben. German (Stuttgart, Germany).
YOE, J. H. 1928-1929. Photometric
chemical analysis (colorimetry and nephelometry), 2 vols. English (New
York, USA: John Wiley & Sons).
BLUM, Paul, and E. SCHAAFF. 1929.
Le daltonisme: son importance pratique, ses formes cliniques, son
diagnostic. French (Paris, France: Masson et Cie.). {vision, color vision
defects}.
BUSSET, Maurice [1880-?]. 1929.
La technique moderne du tableau et le procédés secrets des grands coloristes
des XIe XVIe et XVIIe siècles recueillis et restitués par un homme du métier. Édition
arnée de dessins et de gravures de l’auteur de nombreuses reproductions d’aprés
les maítres. French (Paris, France: Delagrave).
COOPER, F. G. 1929. Munsell
manual of color. English (Baltimore, Maryland, USA: Munsell Color Company).
GILLUM, Lulu Williams. 1929. Color
secrets. English (Kirksville, Missouri, USA: The Journal Printing Company).
HEATON, Augustus George
[1844-1930]. 1929. Color; a treatise. English (Columbia, South Carolina,
USA: R. L. Bryan).
HESSEY, J. Dodson. 1929.
Colour in the treatment of disease. English (London, England: Rider &
Co.).
HEUCK, Ellen. 1929. Die Farbe in
der französischen Kunsttheorie des 17 Jahrhunderts. German (Strasbourg,
France: J. H. E. Heitz).
LADD-FRANKLIN, Christine
[1847-1930]. 1929. Colour vision and colour theories. English (New York,
USA: Harcourt, Brace & Co.). Facsimilar ed. (New York: Arno Press, 1973).
New ed. (London, England: Routledge, 1999).
MONROE, Marion [1898-?]. 1929.
The drawings and color preference of young children. English (Chicago, USA:
University of Chicago, typescript). {psychology, color perception}.
MUNSELL COLOR COMPANY. 1929.
Munsell book of color, defining, explaining, and illustraiting the fundamental
characteristics of color; a revision and extension of “The atlas of the Munsell
color system” by A. H. Munsell. English (Baltimore, Maryland, USA: Munsell
Color Company). New ed. 1942. New ed., Munsell book of color, matte finish
collection (Baltimore, Maryland: Munsell Color Company, 1970). New ed., Munsell
book of color, glossy finish collection (Baltimore, Maryland: Munsell Color
Company, Macbeth Division of Kollmorgen Corporation, 1976). New ed. (New
Windsor, New York: GretagMacbeth, 1999). {order systems, atlas}.
PANIAGUA PAJARES, Gudelio. 1929.
Técnica del colorido. Spanish (Madrid, Spain: Espasa-Calpe).
POPE, Arthur [1880-1974]. 1929.
An introduction to the language of drawing and painting, 2 vols. English
(Cambridge, Massachusetts, USA: Harvard University Press).
POPE, Arthur [1880-1974]. 1929.
The painter’s terms. English (Cambridge, Massachusetts, USA: Harvard University
Press).
POPE, Arthur [1880-1974].
1929-1931. The painter’s modes of expression. English (Cambridge,
Massachusetts, USA: Harvard University Press).
SIMONS, James E., and E. C.
HUSTAED. 1929. Colorology. English (Portland, Oregon, USA: Pacific College
of Chromatics, Interior Decorating and the Arts).
TINLEY, HUMPHREYS, and IRVING.
1929. Colour planning of the garden. English (London, England).
{gardening}.
WRIGHT, Richardson Little
[1887-?], and Margaret McELROY, eds. 1929. House and garden’s book of color schemes, containing over
two hundred color schemes and three hundred illustrations of halls, living
rooms, dining rooms, bed chambers, sun rooms, roofs, garden rooms, kitchens and
baths; the characteristic colors of each decorative period; how to select a
color scheme, with unusual treatments for painter furniture and floors; a
portfolio of crystal rooms and eight pages of unusual interiors in color. English (New York,
USA: The Condé Nast Publications). {interior design, gardening}.
BAUMANN, A. F. 1930. Eighteen thousand
color combinations. English (New York, USA: Helburn).
BIEMA, Carry van. 1930. Farben
und Formen als lebendige Kräfte. German (Jena, Germany: Eugen
Diederichs). Reprinted 1997.
BÜHLER, Hans Adolf. 1930. Das
innere Gesetz der Farbe. German (Leipzig, Germany: Paul List Verlag).
CHASE, Joseph Cummings. 1930.
An artist talks about color. English (New York, USA: John Wiley &
Sons).
FEULNER, Adolf. 1930. Farbige
raumkunst der vergangenheit. Ansichten aus deutschen schlössern und bürgerhäusern.
German (Stuttgart, Germany: Bauformen-bibliothek).
FISCHER, Martin Henry [1879-?]. 1930. The permanent
palette. English (Mountain Lake Park, Maryland, USA: National Publishing
Society). {arts}.
GATHERCOAL, E. N., ed. 1930.
Color names in the US Pharmacopoeia and in the arts, sciences and industries.
English (Chicago, USA: US Pharmacopeia, Committee of Revision, Suplement to the
circulars). {terminology}.
GIDONI, G. I. 1930. Iskusstvo
sveta i iveta [The art of light and color]. Russian (Leningrad, Russia: The
author). {aesthetics}.
DINSHAH (pseudonym of Dinshah P.
GHADIALI) [1873-1966]. 1930. Healing triangle of light. English (Malaga,
New Jersey, USA: Spectro-Chrome Institute). {health, chromotherapy}.
IREDELL, C. E. 1930. Colour
and cancer. English (London, England: H. K. Lewis & Co.).
IRWIN, Beatrice. 1930. The
gates of light, a record of progress in the engineering of colour and light.
English (London, England: Rider & Co.).
JAENSCH, Erich R. 1930. Eidetic imagery. English (London,
England: Kegan Paul, Trench, Trubner & Co.).
JAENSCH, Erich R. 1930. Über
Grundfragen der Farbenpsychologie. German (Leipzig, Germany).
KLEIN, Adrian Bernard Leopold
[1892-?]. 1930. Colour music: the art of light. English (London,
England: Crosby Lockwood & Son). 3rd enlarged ed., Colored light: an art
and medium (London: Technical Press, 1937).
MAERZ, Aloys John [1885-?], and
Marshall Rea PAUL. 1930. A dictionary of color. English (New York, USA:
McGraw-Hill). 2nd ed. 1950.
MÜLLER, Georges Elias. 1930. Über
die Farbenempfindungen; psychophysische untersuchungen. German (Leipzig,
Germany: Johann Ambrosius Barth). {vision}.
PAUL, Marshall Rea, and K. J.
BOWMAN. 1930 (circa). Color in colonial times. English (New York, USA:
National Lead Company).
PETIOT, André. 1930. Son et couleur.
Trichomie harmonique des fonctions tonales.
French (Dieppe, France: Imprimerie La Vigie).
PHLEPS, Hermann. 1930. Die farbige
architektur bei den Römern und im Mittelalter. German (Berlin, Germany). {architecture,
history}.
STOKES, Adrian Durham. 1930.
Colour and form. English (London, England: Faber & Faber). New ed.
1937, 1950.
ANDRES, L. E. 1931. Oil
colours and printers’ inks. English (London, England). {printing industry}.
DAVIS, R., and K. S. GIBSON.
1931. Filters for the reproduction of sunlight and daylight and the
determination of color temperature. English (Washington DC, USA: National
Bureau of Standards, Miscellaneous Publication 114).
ELLIS, Havelock [1859-1939].
1931. The color sense in literature. English (London, England: The
Ulises Book Shop).
GILLUM, Lulu Williams. 1931. Color and
design, a practical art book. English (Kansas City, Missouri, USA: The
Gillum Publishing Company).
HEMPSTEAD, Laurence. 1931.
Color and line in dress, with sketches by Mary Highsmith. English (New
York, USA: Prentice-Hall).
HOLMES, John M. 1931. Colour
in interior decoration. English (London, England: The Architectural Press).
{interior design}.
KOSTER, P. M. 1931. Color
guide. English (New York, USA).
LE CORBUSIER (pseudonym of
Charles-Edouard Jeanneret) [1887-1965]. 1931. Polychromie architecturale.
French (Paris, France: manuscript, in Fondation Le Corbusier). Posthumous
edition arranged by Arthur Rüegg in German, English and French, Le Corbusier
- Polychromie architecturale / Farbenklaviaturen von 1931 und 1959 / Color
keyboards from 1931 and 1959 / Les claviers de couleurs de 1931 et de 1959
(Basel, Switzerland: Birkhäuser, 1997). 2nd revised ed. 2006. {architecture}.
SWANKOVSKY, F. J. 1931. The
use & power of color. English (Los Angeles, USA: Duncan, Vail).
THE NORTH AMERICAN SOCIETY OF
ARTS, Inc. 1931. A color dictionary. English (New York, USA: The North
American Society of Arts, Inc.).
VILLALOBOS DOMÍNGUEZ, Cándido [1881-1954]. 1931. Investigation on impure
spectra and its consequences for the theory of colours, translated from the
Spanish by Ann E. Smith. English (Buenos Aires, Argentina: Ruiz
Hnos.). {optics}.
VIVIANI, Quirico. 1931. Indicazioni
per riconoscere il vero colore della porpora... Italian (Udine, Italy).
CIE (Commission Internationale de
l’Éclairage) [1913-]. 1932. Proceedings of the 8th Session, Cambridge,
1931. English (Paris, France: CIE). {general, lighting}.
COLLINS, Mary, and James DREVER.
1932. Group test for colour blindness. English (London, England:
University of London Press). {vision, color vision defects}.
DICKSON, T. Elder. 1932. An
introduction to colour. English (London, England).